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Rodolfo Abrantes explains why Rodox should not be called a Christian band and generates debate among fans

Por Equipe Editorial CifraNET · 09/06/2026
Rodolfo Abrantes explains why Rodox should not be called a Christian band and generates debate among fans
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Rodox's return to the stage has been one of the most talked about events in Brazilian rock in 2026. In the midst of the band's reunion tour, Rodolfo Abrantes once again spoke about a topic that has accompanied his career for decades: the group's classification as a Christian band. During a recent interview, the former singer of Raimundos was asked about the return of Rodox and took the opportunity to clarify his view on the labels that often accompany the project. According to Rodolfo, defining the group as just a Christian band ends up limiting the way people see their music. The singer explained that his faith is part of his life and naturally manifests itself in everything he produces, but highlighted that Rodox is, above all, a rock band. For him, labeling artists and projects can alienate potential listeners before they even have the opportunity to get to know the work. Rodolfo stated that he believes that faith is reflected in any activity carried out by a person. In his view, it doesn't matter if he is composing music, cooking or developing any other activity. If faith is true, it will appear naturally in that individual's actions and creations. The vocalist also recalled that Rodox himself has already addressed this issue in his lyrics. One of the band's songs brings the message that labeling someone is easier than trying to really know them, a phrase that continues to reflect their current thinking. Formed after the departure of Rodolfo dos Raimundos, Rodox emerged in the early 2000s and quickly gained prominence on the national scene by mixing hardcore, alternative metal, rap and other contemporary influences. Despite the short duration of its first phase, the group released albums that became cult favorites among fans of Brazilian heavy rock. After more than two decades away from the stage, the band returned in 2026 reuniting part of its classic lineup. The return generated enormous repercussion and motivated an extensive tour throughout Brazil and also European cities. The shows have attracted old fans and a new generation of admirers who have come to know the group's history through digital platforms. In addition to the classic repertoire, the return reignited discussions about Rodox's legacy and its importance for national rock. Rodolfo's statement reinforces his stance of valuing music above labels. For him, the most important thing is that people have the opportunity to listen, reflect and create their own interpretations, without prior classification determining interest in the band's work. With the tour continuing through several cities throughout the year, Rodox continues to show that its return goes far beyond nostalgia, reaffirming its relevance within the history of Brazilian rock.
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