You Should Probably Leave
Aprenda a tocar You Should Probably Leave de Chris Stapleton com cifra completa, acordes destacados e visual otimizado para celular.
F#m A D A
I know it ain't all that late
F#m A D A
But you should probably leave
F#m A D A
I recognize that look in your eyes
F#m A D A
Yeah, you should probably leave
E F#m D A
'Cause I know you and you know me
E F#m D A
And we both know where this is gonna lead
E F#m D A
You want me to say that I want you to stay
F#m A D A
So you should probably leave
F#m A D A
Yeah, you should probably leave
F#m A D A
There's still time for you to finish your wine
F#m A D A
Then you should probably leave
F#m A D A
And it's hard to resist, alright, just one kiss
F#m A D A
Then you should probably leave
E F#m D A
'Cause I know you and you know me
E F#m D A
And we both know where this is gonna lead
E F#m D A
You want me to say that I want you to stay
F#m A D A
So you should probably leave
F#m A D A
Yeah, you should probably leave
D D/Db B D/Db D
Like a devil on my shoulder you keep whisperin' in my ear
D D/Db B D/Db E
And it's gettin' kinda hard for me to do the right thing here
E
I wanna do the right thing, baby
F#m A D A
Sun on your skin, 6AM
F#m A D A
And I been watchin' you sleep
F#m A D A
And honey, I'm so afraid you're gonna wake up and say
F#m A D A
That you should probably leave
E F#m D A
'Cause I know you and you know me
E F#m D A
And we both know where this is gonna lead
E F#m D A
You want me to say that I want you to stay
F#m A D A
So you should probably leave
F#m A D A
Yeah, you should probably leave
Ver acordes usados nesta cifra
Como tocar You Should Probably Leave
Use os controles acima para mudar o tom e ajustar o tamanho do texto. Acompanhe os acordes destacados enquanto ouve a música e pratique cada trecho devagar antes de tocar no andamento original.
Qual é o acorde inicial?
O primeiro acorde identificado é F#m. Você pode subir ou descer o tom sem sair da página.
Posso tocar no violão, guitarra ou teclado?
Sim. A sequência de acordes pode ser usada no violão, guitarra e teclado. Adapte as posições ao seu instrumento e nível.