Why Don't You Leave Me Alone - Hank Williams III

Why Don't You Leave Me Alone

View chords used in this chart
Key of E
 
E
"Last night you told me I ain't worth a dime.
E7
Well don't worry honey cause im leavin this time.
A
Why don't you leave me alone.
E
Why don't you leave me alone...
B7
Well I'm your hillbilly daddy,
E
I'm packin, and im gonna be gone.
E
Well we never got along,I guess we never will.
E7
So I'm sayin so long, that oughta give you a thrill.
A
Why don't you leave me alone.
E
Why don't you leave me alone...
B7 E
Well your hillbilly daddy's packin, adn hes gonna be gone.
 
(36 measure break) E,A,B7 same style as the verses.
E
Were goin juke joint jumpin on old route 21.
E7
I ain't looking for trouble I just gotta have fun.
A
Why don't you leave me alone.
E
Why don't you leave me alone...
B7
Yeah I'm your hillbilly daddy,
E
I'm packin, and im gonna get gone.
E
You want a sensitive sissy who claims hes a man.
E7
Not a hillbilly singer in a five piece band..
A
Why don't you leave me alone.
E
Why don't you leave me alone...
B7 E
Well your hillbilly daddy's packin, and hes gonna be gone.
 
(36 Measure break)
E
Well last night you told that I ain't worth a dime.
E7
Well don't worry honey cause I'm leavin this time.
A
Why don't you leave me alone.
E
Why don't you leave me alone...
B7
Well I'm your hillbilly daddy..
E
I'm packin, and Im gonna get gone.
B7
Yes Im your hillbilly daddy, Im ah packin, and Im gonna be
E
gone..... (end)
 
This is a good song.... Old style juke joint stompin!!!

How to play Why Don't You Leave Me Alone

Use the controls above to change the key and text size. Follow the highlighted chords while listening, then practice each section slowly before playing at the original tempo.

What is the starting chord?

The first identified chord is E. You can transpose without leaving the page.

Can I play it on guitar or keyboard?

Yes. The chord progression works on acoustic guitar, electric guitar and keyboard. Adapt the voicings to your instrument and level.

More chords by Hank Williams III

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