Underground
Sloppy Seconds
Aprenda a tocar Underground de Sloppy Seconds com cifra completa, acordes destacados e visual otimizado para celular.
Tecla: F#Capotraste: Sem capotraste
[Intro]
F# D#m B F# D#m C#
[Verse 1]
F#
Never thought we'd meet again
B
A young wanna-be and an old has-been
B C# F#
I wish I had a photo of this scene
F#
I've suffered through dependencies
B
I still have violent tendencies
C# F#
I could sell my life to "People Magazine"
B C#
But I don't care; I don't mind
F# B
Just leave me alone or leave me behind
B C# F#
I won't forget the way you let me down
N.C.
But I've gone underground
[Chorus]
B C#
So don't come any closer
B C#
I might kick you in the nuts
C# B
Can't place your face
C#
Can't stand your band
F#
I hate your guts
F# D#m B F# D#m C#
[Verse 2]
F#
It's just like Andy Warhol said
B
Fifteen minutes and a kick in the head
B C# F#
I hope you don't want sympathy from me
F#
There was I time I worshipped you
B
But now I scrape you off my shoe
B C# F#
I guess that's just the way it's meant to be
F# B C#
And you didn't care, so don't pretend
F# B
'Cause you weren't there; you weren't my friend
B C# F#
In the end my only friend's a loaded gun
N.C.
And I hate everyone
[Chorus]
B C#
So don't come any closer
B C#
I might kick you in the nuts
C# B
Can't place your face
C#
Can't stand your band
F#
I hate your guts
F# D#m B F# D#m C#
[Solo]
F# B F# C# F# B F# C# F#
[Outro]
F# D#m C#
Don't come any closer
F# D#m C#
Don't come any closer
F# D#m C#
Don't come any closer
F# D#m C#
Don't come any closer to me
F# B F# B F# F#
Ver acordes usados nesta cifra
Como tocar Underground
Use os controles acima para mudar o tom e ajustar o tamanho do texto. Acompanhe os acordes destacados enquanto ouve a música e pratique cada trecho devagar antes de tocar no andamento original.
Qual é o acorde inicial?
O primeiro acorde identificado é F. Você pode subir ou descer o tom sem sair da página.
Posso tocar no violão, guitarra ou teclado?
Sim. A sequência de acordes pode ser usada no violão, guitarra e teclado. Adapte as posições ao seu instrumento e nível.