Mostly Harmless
View chords used in this chart
Intro
G Gaug Cmaj7 C
G Gaug Cmaj7 C
[Verso 1]
G Gaug Cmaj7 C
You can't stay the whole time
G Gaug Cmaj7 C
You've got to fuck off eventually. Lay it all to rest and die
G Gaug Cmaj7 C
Your case has gone cold
G Gaug Cmaj7 C
The verdict's made, you'll be left behind
[Pré-Refrão]
Em Em/G C Am
But oh, ooh-oh, oh I'm not scared if you're not
Em Em/G C Am
Oh, oh oh oh ooh-oh, oh I'm not scared if you're not
[Refrão]
G Gaug Cmaj7 C
I heard you'd be mostly harmless
G Gaug Cmaj7 C
You're stuck to me like anaconda. So slowly, so slowly, ayy
G Gaug Cmaj7 C
I'm late on your time, I could waste my own if you let me have some
G Gaug Cmaj7
I can't taste, you're alright. You draw sweetly your switchknife, I can't deny it
{Instrumental}
G5 Gmaj7 C5 Cmaj7
G5 Gmaj7 C5 Cmaj7
[Ponte]
G5 Gmaj7 C5 Cmaj7
I'm bound to be a tragedy, another blip on your stat sheet
G5 Gmaj7 C5 Cmaj7
I'm bound to be a tragedy, another blip on the stat sheet
G5 Gmaj7 C5 Cmaj7
I'm bound to be a tragedy, another blip on the stat sheet
G5 Gmaj7 C5 Cmaj7
I'm bound to be a tragedy, another blip on the stat sheet
[Verso 2]
Em Em/G
Tried so hard to leave babe, but I'm still in my car
C Am Em
Know he's so embarrassed of the things he used to sing to you in bed
Em/G C Am
Now I feel those tunes instead
[Verso 3]
Em
And it's running through my bones
Em/G
And now it's pressing through my nose
C Am
Oh how I wish my blood would process this unnecessary smoke
Em
Could you read that?
Em/G
Could you read that?
C Am
On my ceiling, please
Outro
Em Em/G
Now I know, oh oh, ooh-oh
C Am
Oh I'm not scared if you're not
How to play Mostly Harmless
Use the controls above to change the key and text size. Follow the highlighted chords while listening, then practice each section slowly before playing at the original tempo.
What is the starting chord?
The first identified chord is G. You can transpose without leaving the page.
Can I play it on guitar or keyboard?
Yes. The chord progression works on acoustic guitar, electric guitar and keyboard. Adapt the voicings to your instrument and level.