Qual o tom original da musica Lost In You?

A cifra de Lost In You de Ash esta identificada no tom de A. Voce tambem pode usar os controles da pagina para subir ou descer o tom conforme a sua voz.

Como mudar o tom da cifra Lost In You?

Use os botoes + e - ou o seletor de tom da pagina para transpor a cifra de forma rapida. A letra e os acordes continuam alinhados para facilitar o estudo.

A cifra Lost In You serve para violao e guitarra?

Sim. A cifra foi organizada com acordes para estudo, ensaio e execucao em violao ou guitarra. Quando houver tablatura, voce pode exibir ou ocultar esse conteudo na propria pagina.

Que tipo de musica e Lost In You?

Lost In You de Ash esta classificada no CifraNET como Rock, com foco em letra, acordes e pratica musical.

Cifra interativa

Lost In You

♥

Ash

Sobre:

Dificuldade: medio | Estilo: rock alternativo | Sentimento: melancolica, romantica | Ocasião: bar, violao, show | Tags: rock alternativo, indie, violao, medio, melancolica, romantica

"Lost in You", com credito para Ash. Descricao complementar no catalogo: live, 1996-08-25: Reading Festival, UK. Essa gravacao aparece

relacionada ao lancamento "1977" (ano 2008, pais GB, status Official). Ash pode referir-se a: Blue Ash foi uma banda dos Estados Unidos, nativa de Youngstown, Ohio, formada no ano de 1969. Foram especializados em power pop, rock and roll e rock de garagem. Seus integrantes são Jim Kendzor (vocais), Bill "Cupid" Bartolin, Frank Secich e David Evans. Segundo Ralph Heibutzki, no Allmusic, o Blue Ash logo suscitou comparações com artistas como The Beatles e The Who. Sua música mais conhecida é "Abracadabra ", presente na coletânea de clássicos do power pop Poptopia! Power Pop Classics of The '70s. No mesmo site, o crítico Stephen Thomas Erlewine cita que seu álbum de estréia, No More, No Less, os tornou conhecidos como uma das principais bandas de power pop iniciais, ao lado dos Raspberries e Badfinger. A parte 1 do texto Blue Ash Music Rewiew, por Jade Blackmore, mostra que "o nome da banda foi tirado de uma verdadeira cidade em Ohio, Blue Ash, embora nenhum dos membros seja nascido ou criado lá.

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Tom atual A

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Video da musica

Transcribed by Luke Knox (lukeknox@iname.com)

This is my version, and I invite you to try this version out, and e-mail

Intro:
(The low part is played on another guitar, but can be played on one
guitar fairly easily.  Just listen to the CD for rhythym)
E---5---4---2---0----3---2---0------------------------------
B--------------------------------3---5---5---3--0----0-0-0-0
G----------------------------------------------------2-2-1-1
D----------------------------------------------------2-2-2-2
A-0---0---0---0--------------------2---2---2----------------
E------------------3---3---3---3------------------0---------

(This is played twice.  Then the verse goes like this:)
 A               A7                    Em
Lying wide awake  under strange skies. Wanting to call you,
	Bm
but it is late at night.
E           A     D
And you're far away, but you are
Bm			  Dm		A				  A7
Always on my mind.  I feel like I'm on fire, nothing I can
	 Bm							 Dm
do.  I'm troubled with doubt, though I know it is not true.
E          A         D
And it's times like these when I am
Bm				  Dm		A
Dying to speak to you.  I'm dying to get through.
	Bm                  Dm   A
I'm dying to speak to you.  Dying to get through.
     Bm                  Dm
I'm dying to speak to you.

Riff:
E--------------------(0)-
B-2s3----------------(2)-
G-----2s4--2-1-------(2)-
D---------------4s2--(2)-
A--------------------(0)-
E------------------------

A
A7				          Em
Staring at the world, I sink inside.  I'm thinkin bout it
		  Bm
all, I get caught up in my life.
E     A         D
I can't think straight, because it's
Bm				Dm    A                    A7
Tearing up my mind.  I feel like I'm on fire, nothing I can
	 Bm							 Dm
do.  I'm troubled with doubt, though I know it is not true.
E         A  		  D
And it's times like these when I am
Bm					Dm
Dying to speak to you, dying to get through
E(7)
dying to get through.
F#m         A       			 F#m				A
The more I think, the more I need you.  The more I think,
				A-G#-G
the more it seems true.     And now it means more than I
Bm				Dm			 E
ever meant it to, ever meant it to.

Solo:
E------------------------------------------------0---------
B-----------------2----2s3-3-2-3-2s3-3-2-3---------3-2-----
G--2-4-4-2-4r-2-4---4r---------------------4-4-2-------4-2-
D----------------------------------------------------------
A----------------------------------------------------------
E----------------------------------------------------------

E------------------------------------------
B-----------2s3-3-2-3---2-3----------------
G--4s6-4-6------------------2s4-2-1--6s4---
D------------------------------------------
A------------------------------------------
E------------------------------------------

Key Change (some of this I'm not too sure about, but I am
sure of the chorus being right.)
B        		  B7					  F#m
Lying wide awake  under strange skies.  Wanting to call you,
	C#m
but it is late at night.
F#         B    E
And you're far away, but you are
C#m              Em			B
Always on my mind.  You are always on my mind.
        C#m			 Em   	   B
You are always on my mind, you are always on my mind.
        C#m			 Em		   B
You are always on my mind, you are always on my mind.
        C#m              Em        B
You are always on my mind.

The end. Hope you like it!

Luke

Transcribed by Luke Knox (lukeknox@iname.com)

This is my version, and I invite you to try this version out, and e-mail

(The low part is played on another guitar, but can be played on one
guitar fairly easily.  Just listen to the CD for rhythym)
(This is played twice.  Then the verse goes like this:)
 A               A7                    Em
Lying wide awake  under strange skies. Wanting to call you,
	Bm
but it is late at night.
E           A     D
And you're far away, but you are
Bm			  Dm		A				  A7
Always on my mind.  I feel like I'm on fire, nothing I can
	 Bm							 Dm
do.  I'm troubled with doubt, though I know it is not true.
E          A         D
And it's times like these when I am
Bm				  Dm		A
Dying to speak to you.  I'm dying to get through.
	Bm                  Dm   A
I'm dying to speak to you.  Dying to get through.
     Bm                  Dm
I'm dying to speak to you.

The end. Hope you like it!

Luke

Transcribed by Luke Knox (lukeknox@iname.com) This is my version, and I invite you to try this version out, and e-mail Intro: (The low part is played on another guitar, but can be played on one guitar fairly easily. Just listen to the CD for rhythym) E---5---4---2---0----3---2---0------------------------------ B--------------------------------3---5---5---3--0----0-0-0-0 G----------------------------------------------------2-2-1-1 D----------------------------------------------------2-2-2-2 A-0---0---0---0--------------------2---2---2---------------- E------------------3---3---3---3------------------0--------- (This is played twice. Then the verse goes like this:) A A7 Em Lying wide awake under strange skies. Wanting to call you, Bm but it is late at night. E A D And you're far away, but you are Bm Dm A A7 Always on my mind. I feel like I'm on fire, nothing I can Bm Dm do. I'm troubled with doubt, though I know it is not true. E A D And it's times like these when I am Bm Dm A Dying to speak to you. I'm dying to get through. Bm Dm A I'm dying to speak to you. Dying to get through. Bm Dm I'm dying to speak to you. Riff: E--------------------(0)- B-2s3----------------(2)- G-----2s4--2-1-------(2)- D---------------4s2--(2)- A--------------------(0)- E------------------------ A A7 Em Staring at the world, I sink inside. I'm thinkin bout it Bm all, I get caught up in my life. E A D I can't think straight, because it's Bm Dm A A7 Tearing up my mind. I feel like I'm on fire, nothing I can Bm Dm do. I'm troubled with doubt, though I know it is not true. E A D And it's times like these when I am Bm Dm Dying to speak to you, dying to get through E(7) dying to get through. F#m A F#m A The more I think, the more I need you. The more I think, A-G#-G the more it seems true. And now it means more than I Bm Dm E ever meant it to, ever meant it to. Solo: E------------------------------------------------0--------- B-----------------2----2s3-3-2-3-2s3-3-2-3---------3-2----- G--2-4-4-2-4r-2-4---4r---------------------4-4-2-------4-2- D---------------------------------------------------------- A---------------------------------------------------------- E---------------------------------------------------------- E------------------------------------------ B-----------2s3-3-2-3---2-3---------------- G--4s6-4-6------------------2s4-2-1--6s4--- D------------------------------------------ A------------------------------------------ E------------------------------------------ Key Change (some of this I'm not too sure about, but I am sure of the chorus being right.) B B7 F#m Lying wide awake under strange skies. Wanting to call you, C#m but it is late at night. F# B E And you're far away, but you are C#m Em B Always on my mind. You are always on my mind. C#m Em B You are always on my mind, you are always on my mind. C#m Em B You are always on my mind, you are always on my mind. C#m Em B You are always on my mind. The end. Hope you like it! Luke

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