Last Train To Memphis - Jared Ashley

Last Train To Memphis

View chords used in this chart
Intro: D A E G
 
D A
Sittin' in a taxi backseat
E G
Waitin' on the light to turn green
D
Got a letter in my wallet
A
With an Elvis stamp on it
E G
Talkin' 'bout your life down on Beale Street
 
D A
Livin' in an Amtrak flashback
E G
Everything you had in a sky blue backpack
D
And the last look you gave me
A
How I swore it wouldn't phase me
E G
But it's damn sure gettin' to me now
G
Girl, you ought to see me now
 
D
I'm runnin' through the station
A
Runnin' out of time
E
Gonna catch up with you
G
On this westbound line
D
It's a one way track,
A G
There ain't no going back if I miss this
G~
Last train to Memphis
 
D A E G
 
D A
I know it may be im crazy
E G
But I've just got to see this thing through
D
There's an eighties song playin'
A
On an A.M station
E G
Sayin, "Boy, she's waitin' there for you"
G
God, I hope it's true
 
D
I'm runnin' through the station
A
Runnin' out of time
E
Gonna catch up with you
G
On this westbound line
D
It's a one way track,
A G
There ain't no going back if I miss this
G
Last train to Memphis
 
D A E G
 
D
There ain't no turnin' back
A G
No, I can't get you back if I miss this
G G~
Ooh, if I miss this
So I'm the last train to Memphis
 
D A E
 
G
I'm on the last train to Memphis
 
D A E G
 
D
I can see the tracks fadin
A
I can almost hear you say
E G
How much you miss me, girl
 
D
I can see your pretty smile
A
I can almost hear you say
E G
How much you want to kiss me, girl
 
G D A E G
I'm on the last train to Memphis
G D A E G D
Yeah, I'm on the last train to Memphis

How to play Last Train To Memphis

Use the controls above to change the key and text size. Follow the highlighted chords while listening, then practice each section slowly before playing at the original tempo.

What is the starting chord?

The first identified chord is D. You can transpose without leaving the page.

Can I play it on guitar or keyboard?

Yes. The chord progression works on acoustic guitar, electric guitar and keyboard. Adapt the voicings to your instrument and level.

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