Come Outside - Mike Sarne

Come Outside

Ver acordes usados nesta cifra
Come Outside:Mike Sarne.
#1 in UK in 1962.
***(Check it out on Youtube and hear Wendy
Richard's part.)
 
INTRO: C Am
 
#1.
C Am
Little doll, we've been jiving all night long,
C Am
little doll, gotta feeling something's wrong.
F G
Cause it ain’t right to wanna keep on dancing,
F G
there won't be any time left...for romancing.
 
[Refrão]C Em G C
Come outside, come outside, there's a lovely moon out there.
C Em G C
Come outside, come outside, while we got time to spare.
 
#2.
C Am
Little doll, it seems ages since we kissed.
C Am
Little doll, think of all the fun we've missed.
F G
Cause it ain’t right to wanna keep on dancing,
F G
there won't be any time left...for romancing.
 
[Refrão]C Em G C
Come outside, come outside, there's a lovely moon out there.
C Em G C
Come outside, come outside, while we got time to spare.
 
#3.
F G
Now, I went and promised, your old man..
F G
that we'd be home about, half past ten,
F G
seems we've got just one more jive,
F G
then we'll be starting home again.
 
[Refrão]C Em G C
Come outside, come outside, there's a lovely moon out there.
C Em G C
Come outside, come outside, while we got time to spare.
 
#4.
C Am
Little doll, I know the band ain't bad.
C Am
Little doll I'm getting kinda mad.
F G
Cause it ain’t right to wanna keep on dancing.
F G
there won't be any time left...for romancing.
 
OUTRO:
C Em G C
Come outside, come outside, there's a lovely moon out there.
C Em G
Come outside, come outside, while we got time for a bit of
C
slap and tickle.
 
A sixties smash from Kraziekhat.

Como tocar Come Outside

Use os controles acima para mudar o tom e ajustar o tamanho do texto. Acompanhe os acordes destacados enquanto ouve a música e pratique cada trecho devagar antes de tocar no andamento original.

Qual é o acorde inicial?

O primeiro acorde identificado é C. Você pode subir ou descer o tom sem sair da página.

Posso tocar no violão, guitarra ou teclado?

Sim. A sequência de acordes pode ser usada no violão, guitarra e teclado. Adapte as posições ao seu instrumento e nível.

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