Busking
Ver acordes usados nesta cifra
Afinação: E A D G B ECapotraste: Sem capotraste
[Intro]
G
[Verse 1]
G C
We like to busk on the Underground
D G
We stand in a corner right here
G C
But the licensing men in some office
D G
They come and they just interfere
[Bridge]
Bm Em
They're censoring all of our lyrics
A D
It’s such a remarkable thing
G C
They give us some new words each morning
A D
And here’s what they’re making us sing
[Verse 2]
G C
Don’t leave your bags unattended
D G
Please let passengers get off the train before boarding
G C
Services on the Bakerloo line are suspended
D G
And don’t commit crime because CCTV is recording
[Verse 3]
G C
The roof at Embankment is in an unstable condition
D G
You are advised to seek out an alternative route
G C
If you notice a person whose actions give you suspicion
D G
And you think that he looks a bit foreign then please do not shoot
[Bridge]
Bm Em
They took us up into some office
A D
and here’s the advice that they gave
G C
We need songs to enhance peoples' safety
A D
And make the commuters behave
[Verse 4]
G C
Please mind the gap and the pickpockets here at the station
D G
No flash photography, please put out your cigarette
G C
When the weather is hot, avoid dehydration
D G E
But surfaces may become slippery when it is wet
[Outro]
A D
If you notice a chemical smell and you’re next to a man
E A
And he’s shouting and praying to Allah and acting berserk
A D
Remain where you are and keep as calm as you can
E A
There’s a very good chance that his bomb doesn’t actually work
E A
There’s a very good chance that his bomb doesn’t actually work
Como tocar Busking
Use os controles acima para mudar o tom e ajustar o tamanho do texto. Acompanhe os acordes destacados enquanto ouve a música e pratique cada trecho devagar antes de tocar no andamento original.
Qual é o acorde inicial?
O primeiro acorde identificado é E. Você pode subir ou descer o tom sem sair da página.
Posso tocar no violão, guitarra ou teclado?
Sim. A sequência de acordes pode ser usada no violão, guitarra e teclado. Adapte as posições ao seu instrumento e nível.