Youd Like Me More - Axel & Lolo

Youd Like Me More

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Afinação: E A D G B ECapotraste: Sem capotraste
You’d Like Me More -- Axel and LoLo
 
[Verse 1]
 
D
I went to church today
 
Laid down in the pews
G
I don't trust the Bible
 
I'm just trying to relate to you
 
D
Fear the anchor
 
You tied to your hands
G
Doing things you hate
 
I'll do the same so I can understand
 
[Pre-Chorus]
D
Why you wear white
 
And you have sex with boys
G
You don't like, to hide the mess
D
You're way too high
 
Hunched over, no one's holding on
G
To your hair, they just cheer you on
 
[Chorus]
D Dmaj7 G
You'd like me more if I didn't care about you
D. Dmaj7 G
You'd like me more if I didn't care about you
D Dmaj7 G
Oh oh oh
 
[Verse 2]
D
Bed your guilt
 
Could I please it too?
G
Lathered in affection pay attention
D
While your angels come to anger
 
I like it, they choke me and it turns me on
G
The silence, I light it
 
So easily you passed it on
 
[Pre-Chorus]
D
Tucked in tight
 
And I can't fight
G
The walls chip at night
D
I like this cruel comparison
 
Now mad at my own selfish ways
G
Sitting down it's easier to say
 
[Chorus]
D Dmaj7 G
You'd like me more if I didn't care about you
D Dmaj7 G
You'd like me more if I didn't care about you
D Dmaj7 G
You'd like me more if I didn't care about you
D Dmaj7 G
You'd like me more if I didn't care about you
 
D Dmaj7 G
Oh oh oh
 
D Dmaj7 G
Oh oh oh
 
D Dmaj7 G
Oh oh oh
D Dmaj7 G
Oh oh oh
 
[Interlude]
D
 
D G D
You'd like me more if I didn't care about you
D G
You'd like me more if I didn't care
 
D

Como tocar Youd Like Me More

Use os controles acima para mudar o tom e ajustar o tamanho do texto. Acompanhe os acordes destacados enquanto ouve a música e pratique cada trecho devagar antes de tocar no andamento original.

Qual é o acorde inicial?

O primeiro acorde identificado é E. Você pode subir ou descer o tom sem sair da página.

Posso tocar no violão, guitarra ou teclado?

Sim. A sequência de acordes pode ser usada no violão, guitarra e teclado. Adapte as posições ao seu instrumento e nível.

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