What's Been Going On - Amos Lee

What's Been Going On

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Intro:
 
Fmaj7 C
e|---------------------------------------------------------------------------|
B|--1----1----1-----1--------------------------------------------------------|
G|--0h2--2----0-----0--------------------------------------------------------|
D|--3----3----0h2---2--------------------------------------------------------|
A|------------3-----3--------------------------------------------------------|
E|---------------------------------------------------------------------------|
 
Verse:
Fmaj7 C
And no one says a word to me
Fmaj7 C
They're concerned with my jealousy
Fmaj7 C
Well I guess that's how it's gotta be
G
From now on
 
Fmaj7 C
And time, it swallows everything
Fmaj7 C
From the mighty to the meager thing
Fmaj7 C
And it's as dark as it is comforting
G
To play along
 
F
Well What's Been Going On?
C
What's Been Going On?
F
What's been going on?
G
Around here
 
There goes her old beat up car
Outside of our old favorite bar
She's proudly in there playing her guitar
With stars in her eyes
 
Those are some of my favorite memories
{ What's Been Going On lyrics brought to you by LyricsYouLove }
All of those carefree melodies
While I'm out of here on this raging sea
About to capsize
 
Well what's been going on?
What's been going on?
What's been going on?
Around here
 
What's been going on?
What's been going on?
What's been going on?
Around here
 
And no one says a word to me
They're concerned with my jealousy
I guess that's how it's gotta be
From now on

Como tocar What's Been Going On

Use os controles acima para mudar o tom e ajustar o tamanho do texto. Acompanhe os acordes destacados enquanto ouve a música e pratique cada trecho devagar antes de tocar no andamento original.

Qual é o acorde inicial?

O primeiro acorde identificado é Fmaj7. Você pode subir ou descer o tom sem sair da página.

Posso tocar no violão, guitarra ou teclado?

Sim. A sequência de acordes pode ser usada no violão, guitarra e teclado. Adapte as posições ao seu instrumento e nível.

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