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A cifra de Until the real things come along de Frank Sinatra esta identificada no tom de A. Voce tambem pode usar os controles da pagina para subir ou descer o tom conforme a sua voz.

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A cifra Until the real things come along serve para violao e guitarra?

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Que tipo de musica e Until the real things come along?

Until the real things come along de Frank Sinatra esta classificada no CifraNET como Cifra musical, com foco em letra, acordes e pratica musical.

Cifra interativa

Until the real things come along

♥

Frank Sinatra

Sobre:

Dificuldade: medio | Estilo: jazz | Sentimento: nostalgica, melancolica | Ocasião: bar, clube de jazz, voz e violao | Tags: jazz, standard, frank sinatra, ingles, violao, voz, medio, melancolica

"Until the Real Thing Comes Along" é um clássico popular norte-americano, composto originalmente em 1936 por Mann Holiner, Alberta Nichols,

Sammy Cahn, Saul Chaplin e L.E. Freeman, que ganhou uma interpretação marcante na voz de Frank Sinatra. Wikipedia +1 Aqui estão os destaques sobre esta versão: A Versão de Sinatra (1984): Embora seja um padrão de jazz antigo, Sinatra gravou uma versão notável que foi lançada no álbum "L.A. Is My Lady" (1984), produzido por Quincy Jones. O Significado da Letra: A música fala sobre um amor intenso e devotado, mas com um toque de desespero ou resignação. O eu-lírico se oferece para fazer qualquer coisa pelo ser amado -- "trabalhar", "ser escravo", "mendigar" -- afirmando que, se essas ações extremas não forem amor verdadeiro, terão que servir "até que a coisa real apareça". Temática de Devoção: A letra é cheia de promessas exageradas e românticas, como mover a terra, chorar e até "arrancar estrelas do céu". Estilo Musical: A interpretação de Sinatra nesta fase posterior da carreira traz uma maturidade vocal, muitas vezes acompanhada por arranjos de big band sofisticados, típicos das produções de Quincy Jones naquela época. YouTube +1 É uma canção que equilibra a paixão fervorosa com a incerteza, imortalizada pela interpretação única de Sinatra. Se você quiser, posso comparar essa versão com outras famosas (como a de Ella Fitzgerald) ou procurar detalhes sobre a produção do álbum L.A. Is My Lady.

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Video da musica

A                   E7
I'd work for you, I'd slave for you,

F#7
I'd be a beggar or a knave for you;

Dalt        D       Dm7          Dm6
And if that isn't love, it will have to do

A          F#m               D9   E7
Until the real thing comes along.

A                   E7
I'd gladly move the earth for you

F#7
To prove my love, dear, and its worth for you;

Dalt        D            Dm7     Dm6
If that isn't love, it will have to do

A       D9         E7/6  E7    A   G#7
Until the real thing comes a - long

Bridge:

C#                       G#7
With all the words, dear, at my command

F#                 C#
I just can't make you understand

C#                             G#7
I'll always love you, darling, come what may

C#                   E7
My heart is yours, what more can I say?

A                  E7
I would cry for you, even sigh for you,

F#7
Tear the stars down from the sky for you

Dalt        D          Dm7     Dm6
If that isn't love, it'll have to do

F         E7        D9  Bm7   A
Until the real thing comes a - long.

A                E7
I would walk on burning coals for you,

F#7
I would drive the Chrysler, leave the Rolls for you

Dalt        D          Dm7     Dm6
If that isn't love, it'll have to do

F         E7        D9  Bm7   A
Until the real thing comes a - long.

A               E7
I would try to hit high C for you,

F#7
I'd even punch out Mister T for you,

Dalt        D          Dm7     Dm6
If that isn't love, it'll have to do

F         E7        D9  Bm7   A
Until the real thing comes a - long.

Bridge 2:

C#                                 G#7
There's not a thing that you can't ask of me --

F#             G#7
Go on, demand any task from me

C#                      G#7
You want the moon for a lavalier?

C#                             E7
All you've got to do is nibble on my ear.

A                                  E7
I would rob, steal, beg borrow and lie for you

F#7
Lay my little body down and die for you,

Dalt        D       Dm7       Dm6
If that ain't love, if that ain't love,

A          A7          D9    Dm7/5-
If that ain't love, it'll have to  do

E   E7    E7/5+      A
Until the real thing comes a - long.

A                   E7
I'd work for you, I'd slave for you,

F#7
I'd be a beggar or a knave for you;

Dalt        D       Dm7          Dm6
And if that isn't love, it will have to do

A          F#m               D9   E7
Until the real thing comes along.

A                   E7
I'd gladly move the earth for you

F#7
To prove my love, dear, and its worth for you;

Dalt        D            Dm7     Dm6
If that isn't love, it will have to do

A       D9         E7/6  E7    A   G#7
Until the real thing comes a - long

Bridge:

C#                       G#7
With all the words, dear, at my command

F#                 C#
I just can't make you understand

C#                             G#7
I'll always love you, darling, come what may

C#                   E7
My heart is yours, what more can I say?

A                  E7
I would cry for you, even sigh for you,

F#7
Tear the stars down from the sky for you

Dalt        D          Dm7     Dm6
If that isn't love, it'll have to do

F         E7        D9  Bm7   A
Until the real thing comes a - long.

A                E7
I would walk on burning coals for you,

F#7
I would drive the Chrysler, leave the Rolls for you

Dalt        D          Dm7     Dm6
If that isn't love, it'll have to do

F         E7        D9  Bm7   A
Until the real thing comes a - long.

A               E7
I would try to hit high C for you,

F#7
I'd even punch out Mister T for you,

Dalt        D          Dm7     Dm6
If that isn't love, it'll have to do

F         E7        D9  Bm7   A
Until the real thing comes a - long.

Bridge 2:

C#                                 G#7
There's not a thing that you can't ask of me --

F#             G#7
Go on, demand any task from me

C#                      G#7
You want the moon for a lavalier?

C#                             E7
All you've got to do is nibble on my ear.

A                                  E7
I would rob, steal, beg borrow and lie for you

F#7
Lay my little body down and die for you,

Dalt        D       Dm7       Dm6
If that ain't love, if that ain't love,

A          A7          D9    Dm7/5-
If that ain't love, it'll have to  do

E   E7    E7/5+      A
Until the real thing comes a - long.

A E7 I'd work for you, I'd slave for you, F#7 I'd be a beggar or a knave for you; Dalt D Dm7 Dm6 And if that isn't love, it will have to do A F#m D9 E7 Until the real thing comes along. A E7 I'd gladly move the earth for you F#7 To prove my love, dear, and its worth for you; Dalt D Dm7 Dm6 If that isn't love, it will have to do A D9 E7/6 E7 A G#7 Until the real thing comes a - long Bridge: C# G#7 With all the words, dear, at my command F# C# I just can't make you understand C# G#7 I'll always love you, darling, come what may C# E7 My heart is yours, what more can I say? A E7 I would cry for you, even sigh for you, F#7 Tear the stars down from the sky for you Dalt D Dm7 Dm6 If that isn't love, it'll have to do F E7 D9 Bm7 A Until the real thing comes a - long. A E7 I would walk on burning coals for you, F#7 I would drive the Chrysler, leave the Rolls for you Dalt D Dm7 Dm6 If that isn't love, it'll have to do F E7 D9 Bm7 A Until the real thing comes a - long. A E7 I would try to hit high C for you, F#7 I'd even punch out Mister T for you, Dalt D Dm7 Dm6 If that isn't love, it'll have to do F E7 D9 Bm7 A Until the real thing comes a - long. Bridge 2: C# G#7 There's not a thing that you can't ask of me -- F# G#7 Go on, demand any task from me C# G#7 You want the moon for a lavalier? C# E7 All you've got to do is nibble on my ear. A E7 I would rob, steal, beg borrow and lie for you F#7 Lay my little body down and die for you, Dalt D Dm7 Dm6 If that ain't love, if that ain't love, A A7 D9 Dm7/5- If that ain't love, it'll have to do E E7 E7/5+ A Until the real thing comes a - long.

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