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Dificuldade: medio | Estilo: indie rock, alternativo | Sentimento: introspectiva, energética | Ocasião: banda, bar, show | Tags: indie, rock, alternativo, banda, medio, energetico

"Unsound", com credito para Bettie Serveert. Essa gravacao aparece relacionada ao lancamento "A Campingflight to Lowlands Paradise 2000" (ano

2000, pais BE, status Official). Carpenters foi um duo musical estadunidense composto pelos irmãos Karen (1950-1983) e Richard Carpenter. Com seu estilo melódico, venderam mais de 90 milhões de álbuns e singles mundialmente, tornando-se representantes do soft rock e se incluindo entre os artistas mais representativos da década de 1970. Embora fossem referidos como "The Carpenters", o nome oficial do duo era simplesmente «Carpenters».[carece de fontes ] Durante a década de 1970, quando bandas de rock pesado faziam muito sucesso, Richard e Karen produziram uma música suave, e bem distinta, que os alçou entre os artistas que mais venderam discos em todos os tempos. Cornershop é uma banda de indie rock formada em 1991 na cidade do Leicester e Wolverhampton. tambem posseu influencias de gêneros como, rock de garagem, música alternativa, e rock alternativo.

Simplificar Afinação: E A D G B ETecla: GCapotraste: Sem capotraste for the song, see: https://www.youtube.com/watch?v=gjWxjX6W9BE [Intro] G D Bm7 C e|----------------------------------- B|-----------7----------------------- G|------7--------7----5-4---5-4------ D|----5----5---5----5-----5-----5---- A|----------------------------------- E|----------------------------------- [Intro] G D Bm7 C G D Bm7 C [Verse] G D Bm7 C I took a tylenol and an hours' drive G D Bm7 C And somehow found a reason why I'm still alive G D Bm7 C Well, I'm brought up that way, I never fall too far G D Bm7 C I mean, it doesn't change the way you think you are D C Now, let me fall asleep, don't wake me up until next week D C Until I finally get my feet back on the ground N.C. G D Bm7 C It's good to be unsound [Interlude] G D Bm7 C [Verse] G D Bm7 C I'm moving back and forth, or don't move at all G D Bm7 C They try to cut me down to size, I'll still be small D C And wrap me up in words, until the words no longer hurt D C And I'll be listening to syllables and vowels N.C. G C G C It's good to be unsound, ooh It's good to be unsound G C G C It's good to be unsound, ooh It's good to be unsound [Verse] G D Bm7 C I'd like to disappear and leave without a trace G D Bm7 C I wouldn't have to fear the things I need to face G D Bm7 C If I could be myself, if I could just let go G D Bm7 C I wouldn't have to worry if I lose control D C Acid flashing neonlights D C are traffic in the streets at night D C I'm nervously aware that you're in town N.C. G C G C It's good to be unsound, ooh It's good to be unsound G C G C It's good to be unsound, ooh It's good to be unsound G C G C It's good to be unsound, ooh It's good to be unsound G C G C It's good to be unsound, ooh It's good to be unsound [Interlude] G C aaah aaah aaah aaaah G C aaah aaah aaah aaaah [Bridge] G D Bm7 C Oh, please don't cover yourself again G D Bm7 C Oh, please don't cover yourself again G D Bm7 C Beaming down from a satellite of words and stuff, cut down to your G D Bm7 C knees, you've come a long way ahead on your knees G D Bm7 C You've got the right to be wrong, you've got the right to be strong G D Bm7 C And you've got every right to be just like you want to be [Outro] G D Bm7 C aaah aaah aaah aaaah G D Bm7 C aaah aaah aaah aaaah G D Bm7 C aaah aaah aaah aaaah G D Bm7 C aaah aaah aaah aaaah
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