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Two Point Hospital - Nice Smelling Face

Misc Computer Games

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Dificuldade: facil | Estilo: popular | Sentimento: variada | Ocasião: violao, repertorio | Tags: game, eletrônica, instrumental, divertida, fácil, arranjável

Na música clássica, a progressão de 50, também conhecida como mudanças Stand by Me, progressão doo-wop mudanças de sorvete, e acordes Heart and

Soul, é uma progressão de acordes e reviravolta usada na música popular ocidental. A progressão, é representada por I-vi-IV-V ou I-VI-II-V. Como por exemplo, em C Maior, temos C-Am-F-G. Como o nome indica, era comum na década de 1950, particularmente associado ao estilo vocal doo-wop. Considera-se que a primeira música a usar a sequência extensivamente é a canção Blue Moon (1933). Edward Theodore Gein, also known as the Butcher of Plainfield and the Plainfield Ghoul, was an American murderer and body snatcher. His crimes, committed around his hometown of Plainfield, Wisconsin, gathered widespread notoriety in 1957 after authorities discovered that he stole corpses from local graveyards and fashioned keepsakes from their bones and skin. He also confessed to killing two women: tavern owner Mary Hogan in 1954 and hardware store owner Bernice Worden in 1957.

Simplificar Afinação: E A D G B ETecla: ACapotraste: Sem capotraste Game: Two Point Hospital Title: Nice Smelling Face Composer: Phil French & Tom Puttick (Cedar Studios) Singer: Sophie Worsley (On "N.C. Chorus" you can add clapping on beat 2 and 4) [Intro] A A/F# D A E [Verse 1] A A/F# You got no sense of humor D A E You don't have any interests or read books or the news A A/F# You can't tell truth from the rumor D A E Can't even make your dinner and you can't tie your shoes [Pre-Chorus] F#m C#m7 And I know what they're asking D A Who's the stupid loser that's still hanging around F#m C#m E I'm afraid that they've lost me D E Cuz though they might be right, there's only one thing to say It's that [Chorus] A/C# D E You've got a nice smelling face A/C# D E No way that I could replace A/C# D E That smell, yet even a trace A/C# D E You've got a nice smelling face A/C# D E E A/C# D E E [Verse 2] A A/F# You don't get tonal inflection D A E You never had a conversation get very far A A/F# You've got no sense of direction D A E You're always getting lost and never know where you are [Pre-Chorus] F#m C#m7 And I know what they're asking D E Who's the stupid loser that's still hanging around F#m C#m7 I'm afraid that they've lost me D E Cuz though they might be right, there's only one thing to say It's that [Chorus] A/C# D E You've got a nice smelling face A/C# D E No way that I could replace A/C# D E That smell, yet even a trace A/C# D E You've got a nice smelling face A/C# D E E A/C# D E E [Bridge] E/G# F#m So what, you're not interesting D A Clear or kind or understanding E/G# F#m So what, you're not enterprising D A E But there's something 'bout the way N.C. It's that [Chorus] N.C. You've got a nice smelling face N.C. No way that I could replace N.C. That smell, yet even a trace E You've got a nice smelling face [Chorus] A/C# D E You've got a nice smelling face (Cuz you got a nice smelling face, yeah) A/C# D E No way that I could replace A/C# D E That smell, yet even a trace A/C# D E A You've got a nice smelling face
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