Time - Pink Floyd

Afinação: E A D G B ETecla: F#mCapotraste: Sem capotraste

==============

 

Album: Dark Side of the Moon

 

Words & Music by Roger Waters, Richard Wright, David Gilmour and Nicholas Mason

 

F#m Dmaj7 Amaj7 C#m7 Bm7 F/B

(or Fadd#11/B but that won't highlight)

e|-2-------2--------0--------4-------2-------1-----|

B|-2-------2--------2--------5-------3-------1-----|

G|-2-------2--------1--------4-------2-------2-----|

D|-4-------0--------2--------6-------4-------3-----|

A|-4----------------0--------4-------2-------2-----|

E|-2-----------------------------------------------|

 

[Intro]

 

| E |(E) | F#m |(F#m) | x4

 

| F#m |(F#m) | A |(A) |

| E |(E) | F#m |(F#m) |

 

[Verse 1]

 

F#m A

Ticking away the moments that make up a dull day

E F#m

Fritter and waste the hours in an offhand way

F#m A

Kicking around on a piece of ground in your hometown

E F#m

Waiting for someone or something to show you the way

 

[Chorus]

 

Dmaj7 Amaj7

Tired of lying in the sunshine, staying home to watch the rain

Dmaj7 Amaj7

You are young and life is long, and there is time to kill today

Dmaj7 C#m7

And then one day you find, ten years have got behind you

Bm7 E

No one told you when to run ... You missed the starting gun

 

[Guitar Solo]

 

F#m A E F#m x4

 

Dmaj7 Amaj7 Dmaj7 Amaj7 Dmaj7 C#m7 Bm7 E

 

[Verse 2]

 

F#m A

And you run and you run to catch up with the Sun, but it's sinking;

E F#m

Racing around to come up behind you again.

F#m A

The Sun is the same in a relative way, but you're older,

E F#m

shorter of breath, and one day closer to death.

 

Dmaj7 Amaj7

Every year is getting shorter, never seem to find the time.

Dmaj7 Amaj7

Plans that either come to naught, or half a page of scribbled lines.

Dmaj7 C#m7

Hanging on in quiet desperation is the English way.

Bm Bm7 F/B

The time is gone, the song is over. Thought I'd something more to say.

 

Emadd9 A Emadd9 A

 

[Verse 3]

 

Em7 A7

Home, home again

Em7 A7

I like to be here when I can

Em7 A7

When I come home, cold and tired

Em7 A7

It's good to warm my bones beside the fire

Far away, across the field

Bm7

The tolling of the iron bell

Calls the faithful to their knees

G D7#9 D7b9 Bm

To hear the softly spoken magic spell

 

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Verse 66 bpm

 

1

 

&

 

2

 

&

 

3

 

&

 

4

 

&

 

Chorus 64 bpm

 

1

 

&

 

2

 

&

 

3

 

&

 

4

 

&

 

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107 comments

safeasmilk90 [a] 137

16 de jan. de 2009

Para o cara que reclamou da escala, Lá maior e Fá# menor são relativas, ou seja, a mesma escala apenas tocada de uma nota inicial diferente

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103

brokenheart77 [a] 15

5 de set. de 2008

bom trabalho!

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MikosXZ 10

4 de jul. de 2009

Na verdade... eu acho que soa melhor se você tocar o Rémaj7 como um acorde de barra (x57675 de grave a agudo) na quinta casa e o Lámaj7 como um acorde aberto na quarta casa (xx7654 de grave a agudo). Eu não gosto do som do Rémaj7 aberto na segunda casa. Posso estar errado, no entanto, já que sou "mimado" por ouvir muito jazz :).

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