This song is the first of a series of songs that I will be posting from - the great Australian artist; Paul Kelly.

This song is the first of a series of songs that I will be posting from

Ver acordes usados nesta cifra
Intro:
 
G D C G
 
 
G D C G
They got married early, never had no money,
 
G D C G
Then when he got laid off, they really hit the skids,
 
G D C G
He started up his drinking, then they started fighting,
 
G D C G
He took it pretty badly, she took both the kids,
 
G Em D C D
She said: "I'm not standing by, to watch you slowly die,
 
C D G D
So watch me walking, * out the door,"
 
C G D C
Out the door, out the door, out the door.
 
 
* - CODA
 
D Em D C D
to her, Shaking in his seat, Riding through the streets,
 
C D G D
In a silvertop, to her door,
 
C G D
to her door, to her door,
 
C G
to her door.
 
G D C G
 
Repeat and fade.
 
She went to her brother's, got a little bar work,
He went to the buttery, stayed about a year,
Then he wrote a letter, said I want to see you,
She thought he sounded better, she sent him up the fare,
He was riding through the cane, in the pouring rain,
On Olympic, to her door.
 
He came in on a Sunday, every muscle aching,
Walking in slow motion, like he'd just been hit,
Did they have a future? Would he know his children?
Could he make a picture and get them all to fit?
He was shaking in his seat, riding through the streets,
In a silvertop to her,
Shaking in his seat, riding through the streets,
In a silvertop to her door.

Como tocar This song is the first of a series of songs that I will be posting from

Use os controles acima para mudar o tom e ajustar o tamanho do texto. Acompanhe os acordes destacados enquanto ouve a música e pratique cada trecho devagar antes de tocar no andamento original.

Qual é o acorde inicial?

O primeiro acorde identificado é G. Você pode subir ou descer o tom sem sair da página.

Posso tocar no violão, guitarra ou teclado?

Sim. A sequência de acordes pode ser usada no violão, guitarra e teclado. Adapte as posições ao seu instrumento e nível.

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