Qual o tom original da musica Tears Over Beers?

A cifra de Tears Over Beers de Modern Baseball esta identificada no tom de C#. Voce tambem pode usar os controles da pagina para subir ou descer o tom conforme a sua voz.

Como mudar o tom da cifra Tears Over Beers?

Use os botoes + e - ou o seletor de tom da pagina para transpor a cifra de forma rapida. A letra e os acordes continuam alinhados para facilitar o estudo.

A cifra Tears Over Beers serve para violao e guitarra?

Sim. A cifra foi organizada com acordes para estudo, ensaio e execucao em violao ou guitarra. Quando houver tablatura, voce pode exibir ou ocultar esse conteudo na propria pagina.

Que tipo de musica e Tears Over Beers?

Tears Over Beers de Modern Baseball esta classificada no CifraNET como Cifra musical, com foco em letra, acordes e pratica musical.

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Tears Over Beers

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Sobre:

"Tears Over Beers", com credito para Modern Baseball. Descricao complementar no catalogo: violitionist session. Essa gravacao aparece

relacionada ao lancamento "Violitionist Sessions" (ano 2014, pais XW, status Official). Emo é um subgênero de rock que combina características musicais do hardcore punk com letras emocionais, muitas vezes confessionais. Surgiu como um estilo de hardcore punk e pós-hardcore da cena hardcore de Washington, D.C., em meados da década de 1980, onde era conhecido como hardcore emocional ou emocore. A 67.ª cerimônia anual do Grammy Awards foi realizada em 2 de fevereiro de 2025, na Crypto.com Arena, em Los Angeles, Califórnia, nos Estados Unidos. Reconheceu as melhores gravações, composições e artistas do ano de elegibilidade, de 16 de setembro de 2023 a 30 de agosto de 2024, conforme determinado pelos membros da Academia de Gravação. A cerimônia foi transmitida na CBS e estava disponível para streaming na Paramount+. O comediante sul-africano Trevor Noah foi o apresentador da cerimônia pela quinta vez consecutiva.

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Tom atual C#

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Tamanho da fonte 75%

Leitura automatica

Velocidade 20%

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Video da musica

| C#  |D#7sus2|DmM7 | C#5 |D#7sus4|F#sus2 | F#5 | G#5 |A#m7 |C#5/G# |
e|-----|-------|-----|-----|-------|-------|-----|-----|-----|-------|
B|--6--|---6---|--6--|-----|-------|-------|-----|-----|-----|-------|
G|--6--|---6---|--6--|--6--|---6---|-------|-----|-----|--6--|---6---|
D|-----|-------|-----|--6--|---6---|---6---|--4--|--6--|--6--|---6---|
A|--4--|---6---|--5--|--4--|---6---|---4---|--4--|--6--|-----|-------|
E|-----|-------|-----|-----|-------|---2---|--2--|--4--|--6--|---4---|

C#              D#7sus2 DmM7                C#
When I was just a boy,  we'll call it 15 or so,
               D#7sus2      DmM7                    C#
I found myself annoyed by a syndrome of sorts in my bones
                      D#7sus2   DmM7                   C#
That girl who's next to me, she found herself bored to tears
                           D#7sus2             DmM7                       C#
She realized if she wanted conversation, she's out of luck for three more years

C#  D#7sus2  DmM7  C#   x2

C#            D#7sus2 DmM7         C#
When I moved away from home, 100 miles or so,
                    D#7sus2         DmM7                     C#
I knew a change had grown inside my awkwardly long limbs and bones
                      D#7sus2     DmM7                        C#
That girl who's next to me, she's friendly and thoughtful and quite awfully pretty,
                 D#7sus2    DmM7                          C#
But all she has to say is a meat head-themed monologue on why Brad ran away

C#5       D#7sus4         F#sus2    F#5
She said, "All I can hope for is for me to get better,
       C#5       D#7sus4    F#5   G#5
'cause all I can take is no more.
     A#m7         C#5/G#          F#sus2       G#5
I'll win him back again, we'll be lovers, best friends.
         C#5           D#7sus4       F#sus2                        C#5  D#7sus4  F#sus2
He won't need no other woman like he did way back when he was with me.

C#5       D#7sus4   F#sus2
He needed more than me
    C#5          D#7sus4        F#sus2
I'm friendly and thoughtful and quite awfully pretty,
    C#5       D#7sus4   F#sus2
But he needed more than me."

C#5       D#7sus4  F#sus2 C#5           D#7sus4     F#sus2
When I felt that I should leave, we'll call it midnight or so,
  C#5  D#7sus4 F#sus2       C#5         D#7sus4      F#sus2
I found myself annoyed by a syndrome of sorts in her bones
     C#5        D#7sus4 F#sus2  C#5            D#7sus4       F#sus2
That girl who's next to me, she don't know her worth in this town,
           C#5            D#7sus4         F#sus2
'cause her face starts to shine when that meat head behind me
   C#5              D#7sus4      F#sus2
Is grinning as he's checking her out

C#5       D#7sus4         F#sus2     F#5
I said, "All I can hope for is for you to get better,
       C#5       D#7sus4    F#sus2  G#5
'cause all I can take is no more.
     A#m7         C#5/G#         F#sus2       G#5
I'll hide where I can, away from you and your friends,
        A#m7       C#5/G#     F#sus2  G#5
Leaking tears over beers once again.
        A#m7       C#5/G#     F#sus2  G#5
Leaking tears over beers once again,
               A#m7       C#5/G#     F#sus2
You're leaking tears over beers once again."

C#  D#7sus2  DmM7  C#   x2

Simplificar Afinação: E A D G B ETecla: C#Capotraste: Sem capotraste The other acoustic was fine but this is the real way that they play it using the same video In the video he plays it a half step down but the tuning doesn't really matter, there are no open notes Follow the acoustic videos that they have playing this song for the strum pattern. | C# |D#7sus2|DmM7 | C#5 |D#7sus4|F#sus2 | F#5 | G#5 |A#m7 |C#5/G# | e|-----|-------|-----|-----|-------|-------|-----|-----|-----|-------| B|--6--|---6---|--6--|-----|-------|-------|-----|-----|-----|-------| G|--6--|---6---|--6--|--6--|---6---|-------|-----|-----|--6--|---6---| D|-----|-------|-----|--6--|---6---|---6---|--4--|--6--|--6--|---6---| A|--4--|---6---|--5--|--4--|---6---|---4---|--4--|--6--|-----|-------| E|-----|-------|-----|-----|-------|---2---|--2--|--4--|--6--|---4---| C# D#7sus2 DmM7 C# When I was just a boy, we'll call it 15 or so, D#7sus2 DmM7 C# I found myself annoyed by a syndrome of sorts in my bones D#7sus2 DmM7 C# That girl who's next to me, she found herself bored to tears D#7sus2 DmM7 C# She realized if she wanted conversation, she's out of luck for three more years C# D#7sus2 DmM7 C# x2 C# D#7sus2 DmM7 C# When I moved away from home, 100 miles or so, D#7sus2 DmM7 C# I knew a change had grown inside my awkwardly long limbs and bones D#7sus2 DmM7 C# That girl who's next to me, she's friendly and thoughtful and quite awfully pretty, D#7sus2 DmM7 C# But all she has to say is a meat head-themed monologue on why Brad ran away C#5 D#7sus4 F#sus2 F#5 She said, "All I can hope for is for me to get better, C#5 D#7sus4 F#5 G#5 'cause all I can take is no more. A#m7 C#5/G# F#sus2 G#5 I'll win him back again, we'll be lovers, best friends. C#5 D#7sus4 F#sus2 C#5 D#7sus4 F#sus2 He won't need no other woman like he did way back when he was with me. C#5 D#7sus4 F#sus2 He needed more than me C#5 D#7sus4 F#sus2 I'm friendly and thoughtful and quite awfully pretty, C#5 D#7sus4 F#sus2 But he needed more than me." C#5 D#7sus4 F#sus2 C#5 D#7sus4 F#sus2 When I felt that I should leave, we'll call it midnight or so, C#5 D#7sus4 F#sus2 C#5 D#7sus4 F#sus2 I found myself annoyed by a syndrome of sorts in her bones C#5 D#7sus4 F#sus2 C#5 D#7sus4 F#sus2 That girl who's next to me, she don't know her worth in this town, C#5 D#7sus4 F#sus2 'cause her face starts to shine when that meat head behind me C#5 D#7sus4 F#sus2 Is grinning as he's checking her out C#5 D#7sus4 F#sus2 F#5 I said, "All I can hope for is for you to get better, C#5 D#7sus4 F#sus2 G#5 'cause all I can take is no more. A#m7 C#5/G# F#sus2 G#5 I'll hide where I can, away from you and your friends, A#m7 C#5/G# F#sus2 G#5 Leaking tears over beers once again. A#m7 C#5/G# F#sus2 G#5 Leaking tears over beers once again, A#m7 C#5/G# F#sus2 You're leaking tears over beers once again."

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