Slow Days
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Afinação: E A D G B ECapotraste: Sem capotraste
[Instrumental]
Amin Emin Fmaj
[Verse 1]
F Am Em F
Well, you could've been an archetype
F Am Em F
Or you could've been out on the ledge
F Am Em F
There was a time when it felt alright
F Em F
On the edge, on the edge
F Em F
On the edge, on the edge
[Verse 2]
F Am Em F
Well, you could've done something good
F Am Em F
And you could've tried to understand
F Am Em F
But you couldn't quite hold it tight
F Em F
In your hand, in your hand
F Em F
In your hand, in your hand
[Chorus]
N.C. F
These days, Slow days
F G
Go speeding on by, speeding on
G F
These days, Slow days
F G
Go speeding on by, speeding on
G F
These days, Slow days
F G
Go speeding on by, speeding on
G F
These days, Slow days
F G
Go speeding on by, speeding on
[Verse 3]
F Am Em F
Well, you could've been good to yourself
F Am Em F
Or you could've checked out instead
F Am Em F
Tell me, would it have been worthwhile
F Em F
In your hand, in your head
F Em F
In your hand, in your head
[Bridge]
G#m G
Ohhh, what, what, what could have been
G#m G
Ohhh, what, what, what could have been
[Chorus]
N.C. F
These days, Slow days
F G
Go speeding on by, speeding on
G F
These days, Slow days
F G
Go speeding on by, speeding on
G F
These days, Slow days
F G
Go speeding on by, speeding on
G F
These days, Slow days
F G
Go speeding on by, speeding on
G F
These days, Slow days
F G
Go speeding on by, speeding on
G F
These days, Slow days
F G
Go speeding on by, speeding on
G F
These days, Slow days
F G
Go speeding on by, speeding on
G F
These days, Slow days
F G
Go speeding on by, speeding on
Como tocar Slow Days
Use os controles acima para mudar o tom e ajustar o tamanho do texto. Acompanhe os acordes destacados enquanto ouve a música e pratique cada trecho devagar antes de tocar no andamento original.
Qual é o acorde inicial?
O primeiro acorde identificado é E. Você pode subir ou descer o tom sem sair da página.
Posso tocar no violão, guitarra ou teclado?
Sim. A sequência de acordes pode ser usada no violão, guitarra e teclado. Adapte as posições ao seu instrumento e nível.