Qual o tom original da musica Sir Galahad?

A cifra de Sir Galahad de Josh Ritter esta identificada no tom de E. Voce tambem pode usar os controles da pagina para subir ou descer o tom conforme a sua voz.

Como mudar o tom da cifra Sir Galahad?

Use os botoes + e - ou o seletor de tom da pagina para transpor a cifra de forma rapida. A letra e os acordes continuam alinhados para facilitar o estudo.

A cifra Sir Galahad serve para violao e guitarra?

Sim. A cifra foi organizada com acordes para estudo, ensaio e execucao em violao ou guitarra. Quando houver tablatura, voce pode exibir ou ocultar esse conteudo na propria pagina.

Que tipo de musica e Sir Galahad?

Sir Galahad de Josh Ritter esta classificada no CifraNET como Cifra musical, com foco em letra, acordes e pratica musical.

Cifra interativa

Sir Galahad

♥

Josh Ritter

Sobre:

Dificuldade: médio | Estilo: folk / americana | Sentimento: narrativa, melancólica | Ocasião: recital, café, show acústico | Tags: josh ritter, folk, americana, violao, medio, narrativa, acústico

"Sir Galahad", com credito para Josh Ritter. Essa gravacao aparece relacionada ao lancamento "2010-09-25: Finney Chapel, Oberlin, OH, USA" (ano

2010, pais XW, status Bootleg). Robert Hall Weir foi um músico, cantor, compositor e guitarrista norte-americano, mais conhecido como um dos fundadores da banda Grateful Dead. Após o fim do grupo, integrou o projeto The Other Ones, posteriormente rebatizado como The Dead. Ao longo e após sua trajetória no Grateful Dead, Weir também fundou e participou de outras bandas, como Kingfish, Bob Weir Band, Bobby and the Midnites e, mais tarde, RatDog. Galahad é um personagem lendário das histórias do Ciclo Arturiano. Galahad era um dos Cavaleiros da Távola Redonda do Rei Artur e um dos três que conseguiu alcançar o Santo Graal. Era o filho de Lancelote e de Helena de Carbonek.

Tom atual

Ajuste rapido e escolha direta

Tom atual E

Use + e - para ajuste rapido ou abra o seletor para escolher diretamente o tom que voce quer tocar.

Exibir Tablatura

Tamanho da fonte 75%

Leitura automatica

Velocidade 20%

Toque acompanhando

Video da musica

Afinação: E A D G B ECapotraste:
2nd traste
The song is picked with a quick pattern (hear and watch him perform the song on Chimney
Smoke).

Capo 2nd fret (he has played it open in concert as well)
All chords are relative to the capo.
There are two progressions
C F, C G C
Am G C F, C G C

[Intro]
C

[Verse]
    C
The angel of the Holy Grail
    F
saw Galahad come ridin'
      C         G                  C
So he took the Holy Grail off the shelf.

C
And inside the holy chapel made for
F
Holy Grail hidin' the angel
C                G          C
Could be seen to smile to himself.

Am                   G
"If you're the great Sir Galahad
      C                 F
From now on," said the angel
         C              G             C
"May all angels call me blessed of my race."

Am                 G
"If you're not the great Sir Galahad
      C                F                 C
I'll warn you, keep on ridin' and if you are
              G               C
I pray you'll let me see your face."

C
Galahad took off his helmet, said
       F
"Good angel look upon me.
     C                G                C
Fear not, for I bring tidings of great joy.

C
For long years the grail you've guarded, now
    F
You get to let me drink it, how
C             G               C
Happy must be angels thus employed."

[Instrumental]
| C   | F   | C G | C   |

Am                  G
"All the favors you shower upon
C            F
Me, a simple angel," said the
C            G             C
Angel, "your magnificence abounds.

Am
Take your boots off great Sir Galahad,
       F
For by your astounding beauty whatever
C                   G             C
Ground you stand on turns to holy ground."

C
Galahad took off his boots, and he
F
Watched the ground quite closely
        C            G           C
And the angel smiled to himself again.

C
He said, "I can't believe I'm asking, but
    F
Sir Galahad please tell me, what is
C                 G              C
It that makes you want to go to heaven?

Am                    G
In heaven there's no lamb chops,
      C               F
Queen Guinevere's for hand jobs,
C                G            C
Marijuana, Kenny Rogers, or ecstasy.

Am            G
No pillaging, no rape, perhaps
       C               F
you've come by some mistake to me
     C                G                 C
this seems more error than knight errantry.

[Instrumental]
| C   | F   | C G | C   |
| C   | F   | C G | C   |

C
Yes, and what about the stable boys,
   F
I know you think they're handsome
            C                       G              C
and some of them, they think you're awful handsome too.

C
And, sitting up in heaven, you'll still
F
think about them often, when you're an
C                G                C
angel thinking's all that you can do."

Am                      G
At this, Sir Galahad got angry,
  C                             F
"Angel," he said, "don't you tempt me.
  C             G                 C
I wish to go to heaven and not to hell.

Am                G
So when stable boys look lonesome,
         C             F
When the women call me handsome,
     C                   G         C
I'll hold me virtue very firmly by myself."

C
"I guarantee you'll hold it often,"
               F
said the angel. "Oh one more thing, before you
C                      G               C
drink the wine, please take your armor off.

C
I gotta carry you to heaven,
        F
And despite what you'd imagine,
       C               G             C
I have trouble bearing heavy things aloft."

[Instrumental]
| C   | F   | C G | C   |
| C   | F   | C G | C   |

C
Sir Galahad stood naked
     F
In a pile of his armor,
    C                G                C
His boots and helmet scattered all around.

C
His perfect lips, they sipped the grail,
    F
His perfect heart commenced to fail,
    C            G             C
His perfect body fell upon the ground.

Am          G
The angel lit a cigarette.
     C               F
When he was sure Galahad was dead,
   C                 G                  C
He picked all of his clothes up off the floor.

Am            G
Then I put on his boots and armor
  C             F
I laid his body on the altar
        C               G              C
Put his helmet on and I headed for the door.