Qual o tom original da musica Run To The Hills?

A cifra de Run To The Hills de Iron Maiden esta identificada no tom de E. Voce tambem pode usar os controles da pagina para subir ou descer o tom conforme a sua voz.

Como mudar o tom da cifra Run To The Hills?

Use os botoes + e - ou o seletor de tom da pagina para transpor a cifra de forma rapida. A letra e os acordes continuam alinhados para facilitar o estudo.

A cifra Run To The Hills serve para violao e guitarra?

Sim. A cifra foi organizada com acordes para estudo, ensaio e execucao em violao ou guitarra. Quando houver tablatura, voce pode exibir ou ocultar esse conteudo na propria pagina.

Que tipo de musica e Run To The Hills?

Run To The Hills de Iron Maiden esta classificada no CifraNET como Cifra musical, com foco em letra, acordes e pratica musical.

Cifra interativa

Run To The Hills

♥

Iron Maiden

Sobre:

Dificuldade: dificil | Estilo: popular | Sentimento: variada | Ocasião: violao, repertorio | Tags: metal, heavy, agitado, show, virtuoso, dificil, guitarra

Tom atual

Ajuste rapido e escolha direta

Tom atual E

Use + e - para ajuste rapido ou abra o seletor para escolher diretamente o tom que voce quer tocar.

Exibir Tablatura

Tamanho da fonte 75%

Leitura automatica

Velocidade 20%

Toque acompanhando

Video da musica

INTRO:

Gtr I (Adrian)
|----------------------------------------------------------|
|----------------------------------------------------------|
|-x-9--9---7----x-7--7---9-----x-5--5---7----x-0--0---2----|
|-x-9--9---7----x-7--7---9-----x-5--5---7----x-0--0---2----|
|----------------------------------------------------------|
|----------------------------------------------------------|

Gtr II (Dave)

All these notes are played using the third finger so there are
also grace notes due to changing position but I've just shown
the basic fingerings. Most of the bends should be "overbent" and
shaken heavily.

Neck Pickup
|-------------------------------------------------------------------|
|-15-15b17-15b17-15~---13-13b15-13b15-15b17~---11-11b13-11b13-13b15~|
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|

To Bridge
                             LAST TIME                     pickup
|-------------------------|--------------|------------------------|
|-------------------------|----------3---|-----------------13b15~-|
|--10-10b12-10b12-12b14~--|-x-0--0---2---|--10-10b12-10b12--------|
|-------------------------|-x-0--0---0---|------------------------|
|-------------------------|--------------|------------------------|
|-------------------------|--------------|------------------------|

RHYTHM FOR VERSES:

D        C      C B+5 C B+5     D        C      C B+5 C B+5
|-------------------------------|---------------------------------|
|-------------------------------|---------------------------------|
|-------------------------------|---------------------------------|
|---7--------5------5--5--5--5--|---7--------5------5--5--5--5----|
|---5--------3------3--2--3--2--|---5--------3------3--2--3--2----|
|-------------------------------|---------------------------------|

A        C        F     D
|---------------------------2---|
|---------------------------3---|
|---2--------5--------2-----2---|
|---2--------5--------3-----0---|
|---0--------3--------3-----0---|
|---------------------1---------|

CHORUS:

G          F         C                G    E  F  F#
|---3----------1--------------------------3--------------|
|---3----------1--------------------------3--------------|
|---4----------2---------5----------------4----1--2--3---|
|---5----------3---------5----------------5----2--3--4---|
|---5----------3---------3----------------5----2--3--4---|
|---3----------1--------------------------3----0--1--2---|
    Run to the Hills     Run for your lives

RHYTHM FOR SOLO:

E(m)      F#m  G          C      
|-------------(2)-(3)--------------------------------------|
|-------------(2)--3---------------------------------------|
|-------------(2)--4---------------------------------------|
|---2---------(4)--5----------5----------------------------|
|---2---------(4)--5----------3----------2-3-2-3-2-3-2-3---|
|---0------------------------------------------------------|

BRIDGE:

I'm just showing the basic fingerings. Listen for the
strumming and muting.

A           B           C           D
|-------------------------------------------------|
|-------------------------------------------------|
|--2--2--2~----4--4--4~----5--5--5~----7--7--7~---|
|--2--2--2~----4--4--4~----5--5--5~----7--7--7~---|
|-------------------------------------------------|
|-------------------------------------------------|

ENDING:

C let ring         B         G strum fast
|--------------------------------3--------------|
|--------------------------------3--------------|
|---5------------------4---------4--------------|
|---5------------------4---------5--------------|
|---3------------------2---------5--------------|
|--------------------------------3--------------|
        Run    for     your      lives

Played with Phaser: rate ~ one quarter note.

E5                 F#5      G5
|---------------------------------------12------12-----12--12-----|
|--15b(17)--r15---15b(17)-r15-b(17)~------------------------------|
|-------------------------------------------12------14------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|

C5
|----------12---------------------------------------------|
|--15b(17)----12--15p12h15p12------12---------------------|
|------------------------------14------14b(16)--14b(16)~--|
|---------------------------------------------------------|
|---------------------------------------------------------|
|---------------------------------------------------------|

|--------------------------------------------------------|
|--------------------------------------------------------|
|--14b(16)--14--12--14--12--12-----------------------12--|
|------------------------------14~~~-----------12h14-----|
|--------------------------------------------------------|
|--------------------------------------------------------|

E5
|--------------------------------------------------------|
|----------------------------------15--15-----12h14--12--|
|-----------------------12--14--12---------14------------|
|--14--12---------12h14----------------------------------|
|----------14p12-----------------------------------------|
|--------------------------------------------------------|

F#5        G5
|--------------------------------------------10h12p10----|
|--12h15p12h15p12------12h15--15-s\-2-s/-12--------------|
|------------------14------------------------------------|
|--------------------------------------------------------|
|--------------------------------------------------------|
|--------------------------------------------------------|

C5
|--10h12p10h12-----12p10h12p10--10h12p10-----10h12--12b(15)~~--|
|---------------12------------------------12-------------------|
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|--------------------------------------------------------------|

E5
|--12b(15)-s\-1-s/-7---------12h15p12h15p12h15p12--12h15p12--|
|------------------------------------------------------------|
|------------------------------------------------------------|
|------------------------------------------------------------|
|------------------------------------------------------------|
|------------------------------------------------------------|

F#5  G5
|-----------------------------------------------------------|
|--15p12h15p12h15p12h15-------------------------------------|
|------------------------12h14p12h14p12h14p12h14p12---------|
|----------------------------------------------------12h14--|
|-----------------------------------------------------------|
|-----------------------------------------------------------|

C5
|----------------------------------------------|
|--------------15--------------------------15--|
|--12h14p12----14b(16)--HOLD-BEND---r(14)--14--|
|----------------------------------------------|
|----------------------------------------------|
|----------------------------------------------|

|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|--12-Tbar\-(9)-/-(12)-\-(9)-/-(12)-\-(9)-/-(12)-\-(5)-/-(12)-\---|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|

E5
|---------------------------15--17-Tbar-\-(16)-/-(17)-\-(16)-/----|
|-----------------------------------------------------------------|
|--(9)-/-(12)-\-(7)-/-(12)----------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|

|--(17)-\-(16)-/-(17)---------------------------------|
|-----------------------15-shake with Tbar as before--|
|-----------------------------------------------------|
|-----------------------------------------------------|
|-----------------------------------------------------|
|-----------------------------------------------------|

G5
|-----------------------------------------------|
|--17-Tbar shake---------------------------PH---|
|------------------------14-Tbar shake-----16~--|
|-----------------------------------------------|
|-----------------------------------------------|
|-----------------------------------------------|

C5
|----0----12--15b(18)--r(16)-r15--15--Tbar-\---(12)--\--(10)-s\---|
|--0----12--------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|

Gtr I (Adrian)
Gtr II (Dave)

Neck Pickup
                                                           To Bridge
                             LAST TIME                     pickup
RHYTHM FOR VERSES:

CHORUS:

Run to the Hills     Run for your lives

RHYTHM FOR SOLO:

BRIDGE:

I'm just showing the basic fingerings. Listen for the
strumming and muting.

ENDING:

C let ring         B         G strum fast
        Run    for     your      lives

Played with Phaser: rate ~ one quarter note.

|--12h14p12----14b(16)--HOLD-BEND---r(14)--14--|
|--12-Tbar\-(9)-/-(12)-\-(9)-/-(12)-\-(9)-/-(12)-\-(5)-/-(12)-\---|
                                        E5
|---------------------------15--17-Tbar-\-(16)-/-(17)-\-(16)-/----|
|-----------------------15-shake with Tbar as before--|
|--17-Tbar shake---------------------------PH---|
|------------------------14-Tbar shake-----16~--|
        C5
|----0----12--15b(18)--r(16)-r15--15--Tbar-\---(12)--\--(10)-s\---|

INTRO: Gtr I (Adrian) |----------------------------------------------------------| |----------------------------------------------------------| |-x-9--9---7----x-7--7---9-----x-5--5---7----x-0--0---2----| |-x-9--9---7----x-7--7---9-----x-5--5---7----x-0--0---2----| |----------------------------------------------------------| |----------------------------------------------------------| Gtr II (Dave) All these notes are played using the third finger so there are also grace notes due to changing position but I've just shown the basic fingerings. Most of the bends should be "overbent" and shaken heavily. Neck Pickup |-------------------------------------------------------------------| |-15-15b17-15b17-15~---13-13b15-13b15-15b17~---11-11b13-11b13-13b15~| |-------------------------------------------------------------------| |-------------------------------------------------------------------| |-------------------------------------------------------------------| |-------------------------------------------------------------------| To Bridge LAST TIME pickup |-------------------------|--------------|------------------------| |-------------------------|----------3---|-----------------13b15~-| |--10-10b12-10b12-12b14~--|-x-0--0---2---|--10-10b12-10b12--------| |-------------------------|-x-0--0---0---|------------------------| |-------------------------|--------------|------------------------| |-------------------------|--------------|------------------------| RHYTHM FOR VERSES: D C C B+5 C B+5 D C C B+5 C B+5 |-------------------------------|---------------------------------| |-------------------------------|---------------------------------| |-------------------------------|---------------------------------| |---7--------5------5--5--5--5--|---7--------5------5--5--5--5----| |---5--------3------3--2--3--2--|---5--------3------3--2--3--2----| |-------------------------------|---------------------------------| A C F D |---------------------------2---| |---------------------------3---| |---2--------5--------2-----2---| |---2--------5--------3-----0---| |---0--------3--------3-----0---| |---------------------1---------| CHORUS: G F C G E F F# |---3----------1--------------------------3--------------| |---3----------1--------------------------3--------------| |---4----------2---------5----------------4----1--2--3---| |---5----------3---------5----------------5----2--3--4---| |---5----------3---------3----------------5----2--3--4---| |---3----------1--------------------------3----0--1--2---| Run to the Hills Run for your lives RHYTHM FOR SOLO: E(m) F#m G C |-------------(2)-(3)--------------------------------------| |-------------(2)--3---------------------------------------| |-------------(2)--4---------------------------------------| |---2---------(4)--5----------5----------------------------| |---2---------(4)--5----------3----------2-3-2-3-2-3-2-3---| |---0------------------------------------------------------| BRIDGE: I'm just showing the basic fingerings. Listen for the strumming and muting. A B C D |-------------------------------------------------| |-------------------------------------------------| |--2--2--2~----4--4--4~----5--5--5~----7--7--7~---| |--2--2--2~----4--4--4~----5--5--5~----7--7--7~---| |-------------------------------------------------| |-------------------------------------------------| ENDING: C let ring B G strum fast |--------------------------------3--------------| |--------------------------------3--------------| |---5------------------4---------4--------------| |---5------------------4---------5--------------| |---3------------------2---------5--------------| |--------------------------------3--------------| Run for your lives Played with Phaser: rate ~ one quarter note. E5 F#5 G5 |---------------------------------------12------12-----12--12-----| |--15b(17)--r15---15b(17)-r15-b(17)~------------------------------| |-------------------------------------------12------14------------| |-----------------------------------------------------------------| |-----------------------------------------------------------------| |-----------------------------------------------------------------| C5 |----------12---------------------------------------------| |--15b(17)----12--15p12h15p12------12---------------------| |------------------------------14------14b(16)--14b(16)~--| |---------------------------------------------------------| |---------------------------------------------------------| |---------------------------------------------------------| |--------------------------------------------------------| |--------------------------------------------------------| |--14b(16)--14--12--14--12--12-----------------------12--| |------------------------------14~~~-----------12h14-----| |--------------------------------------------------------| |--------------------------------------------------------| E5 |--------------------------------------------------------| |----------------------------------15--15-----12h14--12--| |-----------------------12--14--12---------14------------| |--14--12---------12h14----------------------------------| |----------14p12-----------------------------------------| |--------------------------------------------------------| F#5 G5 |--------------------------------------------10h12p10----| |--12h15p12h15p12------12h15--15-s\-2-s/-12--------------| |------------------14------------------------------------| |--------------------------------------------------------| |--------------------------------------------------------| |--------------------------------------------------------| C5 |--10h12p10h12-----12p10h12p10--10h12p10-----10h12--12b(15)~~--| |---------------12------------------------12-------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| E5 |--12b(15)-s\-1-s/-7---------12h15p12h15p12h15p12--12h15p12--| |------------------------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------| F#5 G5 |-----------------------------------------------------------| |--15p12h15p12h15p12h15-------------------------------------| |------------------------12h14p12h14p12h14p12h14p12---------| |----------------------------------------------------12h14--| |-----------------------------------------------------------| |-----------------------------------------------------------| C5 |----------------------------------------------| |--------------15--------------------------15--| |--12h14p12----14b(16)--HOLD-BEND---r(14)--14--| |----------------------------------------------| |----------------------------------------------| |----------------------------------------------| |-----------------------------------------------------------------| |-----------------------------------------------------------------| |--12-Tbar\-(9)-/-(12)-\-(9)-/-(12)-\-(9)-/-(12)-\-(5)-/-(12)-\---| |-----------------------------------------------------------------| |-----------------------------------------------------------------| |-----------------------------------------------------------------| E5 |---------------------------15--17-Tbar-\-(16)-/-(17)-\-(16)-/----| |-----------------------------------------------------------------| |--(9)-/-(12)-\-(7)-/-(12)----------------------------------------| |-----------------------------------------------------------------| |-----------------------------------------------------------------| |-----------------------------------------------------------------| |--(17)-\-(16)-/-(17)---------------------------------| |-----------------------15-shake with Tbar as before--| |-----------------------------------------------------| |-----------------------------------------------------| |-----------------------------------------------------| |-----------------------------------------------------| G5 |-----------------------------------------------| |--17-Tbar shake---------------------------PH---| |------------------------14-Tbar shake-----16~--| |-----------------------------------------------| |-----------------------------------------------| |-----------------------------------------------| C5 |----0----12--15b(18)--r(16)-r15--15--Tbar-\---(12)--\--(10)-s\---| |--0----12--------------------------------------------------------| |-----------------------------------------------------------------| |-----------------------------------------------------------------| |-----------------------------------------------------------------| |-----------------------------------------------------------------|

Cifras em alta

Estamos procurando as cifras mais relevantes para voce...

Run To The Hills

As músicas que o Mundo está tocando agora