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Millencolin

Puzzle

Millencolin

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Dificuldade: medio | Estilo: punk rock | Sentimento: animada, enérgica | Ocasião: show, festa, ensaio | Tags: millencolin, punk rock, skate punk, guitarra, violao, medio, powerchords

"Puzzle", com credito para Millencolin. Descricao complementar no catalogo: live, 2000-06-17: Hultsfreds Hembygdspark, Hultsfred Municipality,

Sweden. Essa gravacao aparece relacionada ao lancamento "Live at Hultsfred 2000" (status Bootleg). Millencolin é uma banda de hardcore melódico/punk rock formada em Outubro de 1992 em Örebro, Suécia, pelo Designer e Guitarrista Erik Ohlsson juntamente com seus amigos, o guitarrista Mathias Färm e Nikola Sarcevic no Baixo e Vocal. Com exceção de Nikola que mora em Gotheburg, todos moram em Örebro, ambas na Suécia. For Monkeys é o terceiro álbum da banda sueca de punk rock Millencolin, gravado em janeiro de 1997 em Örebro e lançado em 20 de abril de 1997 na Suécia e em 20 de maio de 1997 nos Estados Unidos da América. Com duração de 30:26 minutos, as gravadoras que distribuiram o CD foram a Burning Heart Records e a Epitaph Records. Inicialmente intitulado Four Monkeys por causa do número de integrantes da banda (quatro), alguém sugeriu For Monkeys por ser um título melhor, então a banda acatou a sugestão.

necessary).The powerchords are explained below the song. PUZZLE - MILLENCOLIN --------------------- INTRO(You gotta find out the rhythm by yourself, something fast): A - E'' - D ------| A - C# |- play this progression two times A - F#''- E ------| VERSE 1 (Guitar break / Bass plays alone, Vocals start): Here we are again with another bunch of soft songs, C# D E'' Maybe you are wondering why it took us so long, A' (ska strummin' with clean upstrokes) With a schedule tight, studiotime in sight, we have mostly been out touring C# D E'' (pick scrape guitar 2) Inspiration has been hard this time and honestly I've had some problems with all these rhymes. CHORUS(play loud and with lots of distortion, find the rhythm with the CD): F# D E'' A - C# We're under stress again, but it has always been that way F# D E'' A - C# And once we get it right, then I know it's there to stay VERSE 2: A A (A*) F# D A (<-palm muted) Third album, less of ska and not so many fast ones C# D E'' (<-open distortion) More of poppy, pushy songs, those that we do best now A A (A*) F# D A (<-palm muted) Nine to five at Unisound in January NINETY-SEVEN C# D E'' (<-open distortion) We had the greatest time, with Dan as engineer, now the outcome is what you hear CHORUS(some lyric variety): F# D E'' A - C# We're under stress again, but it has always been that way F# D E'' A - C# And once we get it right, then I know it's there to stay F# D E'' A - C# We're under stress again, but we're used to all that now F# D E'' A(leads to intro) It's always tough at first but somehow we always end up fine -REPEAT INTRO BRIDGE (this one is really weird, let us know, if we messed it up): E'' A'' - A** If you're lonely or if you're happy F#'' E'' E(low?) Feeling swell or feeling blue we might have a tune for you E'' A'' - A** And it's about half of an hour, F#'' E'' ---->A (palm muted) Maybe less or maybe more whatever it might be it's still softcore -Now you play a load of palm muted "A5" powerchords -Then it turns to the chorus again: A - A* - F# F# D E'' A - C# We're under stress again, but it has always been that way F# D E'' A - C# And once we get it right, then I know it's there to stay F# D E'' A - C# We're under stress again, but we're used to all that now F# D E'' A(leads to intro) It's always tough at first but somehow we always end up fine -Play intro(now outro) chord progression 4 times, while they sing: We always end up fine (We're under stress again) YEAH YEAH ----->end on A We're under stress again, under stress again. CHORD CHART(all powerchords played in different ways): A E'' D C# F#'' A' F# A* A'' A** e|--x----x----x----x----x----5----x----x----x----x-----| B|--x----x----x----x----x----5----x----x----x----x-----| G|--x----9----7----6----11---6----x----x----14---14----| D|--7----9----7----6----11---7----4----7----14---14----| A|--7----7----5----4----9----7----4----7----12---11----| E|--5----x----x----x----x----5----2----4----x----x-----| This is it!! You might have some problems with the A* and A** chords, if you do, just play them as E'' or leave them out. This part of song has so many effects, nobody'll care. Authors are: Fichte: Crowpunk@hotmail.com and me: Lenny_is@unforgettable.com AND I THINK 3COLOURSRED,NoFunAtAll,NOFX,Rancid,Sublime TABS would be cool. Got any ? HELLOs to Fichtes Internet-Girls, matthiessende@hotmail.com, Yetihead@t-online.de, Es lebe die neue Sch¸lerzeitung: DieKrise@bigfoot.com
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