Qual o tom original da musica Our Aftermath?

A cifra de Our Aftermath de PhemieC esta identificada no tom de F. Voce tambem pode usar os controles da pagina para subir ou descer o tom conforme a sua voz.

Como mudar o tom da cifra Our Aftermath?

Use os botoes + e - ou o seletor de tom da pagina para transpor a cifra de forma rapida. A letra e os acordes continuam alinhados para facilitar o estudo.

A cifra Our Aftermath serve para violao e guitarra?

Sim. A cifra foi organizada com acordes para estudo, ensaio e execucao em violao ou guitarra. Quando houver tablatura, voce pode exibir ou ocultar esse conteudo na propria pagina.

Que tipo de musica e Our Aftermath?

Our Aftermath de PhemieC esta classificada no CifraNET como Rock, com foco em letra, acordes e pratica musical.

Cifra interativa

Our Aftermath

♥

PhemieC

Sobre:

Dificuldade: facil | Estilo: popular | Sentimento: animada, sentimental | Ocasião: bar | Tags: alternativo, acústico, atmosférica, intimista, melancólica, bar, facil

"Our Aftermath", com credito para PhemieC. Essa gravacao aparece relacionada ao lancamento "Songs for Doomed Timelines" (ano 2015, pais XW,

status Official). Índice: 10001... 10101... 10201... 10301... 10401... 10501... 10601... 10701... 10801... 10901... Taylor Alison Swift é uma cantora, compositora, produtora musical, diretora e empresária americana. Conhecida por suas composições narrativas que geralmente concentram-se em sua vida pessoal, ao qual recebem ampla cobertura midiática. Nascida em West Reading, Pensilvânia, Swift mudou-se para Nashville, Tennessee, aos 14 anos, para seguir uma carreira na música country. No mesmo período, ela assinou contrato com a Sony/ATV Music Publishing e em 2005 com a gravadora Big Machine Records, que lançou seus dois primeiros álbuns, o homônimo (2006) e Fearless (2008). Esse último, certificado de diamante nos Estados Unidos, foi o primeiro de todos os seus discos seguintes a alcançar o topo da Billboard 200. Seus lançamentos posteriores, Speak Now (2010), Red (2012), 1989 (2014) e Reputation (2017) venderam -- cada um --, mais de um milhão de cópias em suas semanas de estreia em terras estadunidenses, tornando Swift a primeira artista na história a realizar esse feito. Os três últimos citados recalibraram sua imagem do country para a música pop.

Tom atual

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Tom atual F

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Tamanho da fonte 75%

Leitura automatica

Velocidade 20%

Toque acompanhando

Video da musica

Simplificar
Afinação: E A D G B ECapotraste: Sem capotraste
originally tabbed by maids-space on tumblr!

F7                     G#                         D#
You were called like a curtain, split like a second,
                F#                F7
broken like a sword stuck in a rock
               G#                        D#
forged for a hero, birthed forth for a heart
                F#          F7
much purer than his/mine/ours.

F7               G#             D#
It’s uncertain when the tables turned,
                        F#                        F7
but when all of your brothers have given their lives
          G#                             D#
for the strife you earned, you will get burned
                  F#                 F
and it wont get better when put on ice.

F                      G#
And I wasn’t going anywhere fast,
          F                             G#
and my sister said she’d seen the end of my path.
        D#
The direction that I fly,
                      E                F
straight through the eye of our aftermath.

F7     G#       D#       F#

F7                 G#                           D#
And you have to ignore it, don’t think about before,
             F#                               F7
you’ve got enough fight inside to fill five world wars.
                                G#                               D#
It’s just a game, just another cause, you’re a switch and I’m a cog
                  F#                    F7
and last thing we need is another broken clock.

G#
So forget about your ghost limbs and
D#                            F#                     F7
all those things that scared you most as a child of 12.
               G#                         D#
You see I’m 13 now, and if I die for the thousandth time,
 F#                                              F7
I’m unafraid, for I outnumber hell.

F7                        G#
And I wasn’t going anywhere good, so I
F7                              G#
straightened my glasses and I did what I could
                              D#
What I had to but damn it’s hard
              E           F7
not to look back at the time.

F7                          G#
But I wasn’t going anywhere fast, so I
 F7                      G#
said goodbye to walking my own path.
       D#
The direction that I fly,
                      E           C#   D#
straight through the eye of our aftermath.

Fm                      C#   D#
What makes us who we are, is it our bones?
         Fm                      C#   D#
wrapped in all our scars, they’re ours alone
         Fm                      C#   D#
they outweigh tails and talons, feathers, foam
         Fm
unless they’re not, unless they don’t.

F7      G#       D#       F#

F7                       G#                     D#
You were called like a curtain, split like a second,
                F#              F7
broken like a sword stuck in a rock

Simplificar
Afinação: E A D G B ECapotraste: Sem capotraste
originally tabbed by maids-space on tumblr!

F7     G#       D#       F#

F7      G#       D#       F#

F7                       G#                     D#
You were called like a curtain, split like a second,
                F#              F7
broken like a sword stuck in a rock

Simplificar Afinação: E A D G B ECapotraste: Sem capotraste originally tabbed by maids-space on tumblr! F7 G# D# You were called like a curtain, split like a second, F# F7 broken like a sword stuck in a rock G# D# forged for a hero, birthed forth for a heart F# F7 much purer than his/mine/ours. F7 G# D# It’s uncertain when the tables turned, F# F7 but when all of your brothers have given their lives G# D# for the strife you earned, you will get burned F# F and it wont get better when put on ice. F G# And I wasn’t going anywhere fast, F G# and my sister said she’d seen the end of my path. D# The direction that I fly, E F straight through the eye of our aftermath. F7 G# D# F# F7 G# D# And you have to ignore it, don’t think about before, F# F7 you’ve got enough fight inside to fill five world wars. G# D# It’s just a game, just another cause, you’re a switch and I’m a cog F# F7 and last thing we need is another broken clock. G# So forget about your ghost limbs and D# F# F7 all those things that scared you most as a child of 12. G# D# You see I’m 13 now, and if I die for the thousandth time, F# F7 I’m unafraid, for I outnumber hell. F7 G# And I wasn’t going anywhere good, so I F7 G# straightened my glasses and I did what I could D# What I had to but damn it’s hard E F7 not to look back at the time. F7 G# But I wasn’t going anywhere fast, so I F7 G# said goodbye to walking my own path. D# The direction that I fly, E C# D# straight through the eye of our aftermath. Fm C# D# What makes us who we are, is it our bones? Fm C# D# wrapped in all our scars, they’re ours alone Fm C# D# they outweigh tails and talons, feathers, foam Fm unless they’re not, unless they don’t. F7 G# D# F# F7 G# D# You were called like a curtain, split like a second, F# F7 broken like a sword stuck in a rock

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