Qual o tom original da musica One Too Many Mornings?

A cifra de One Too Many Mornings de Association esta identificada no tom de A. Voce tambem pode usar os controles da pagina para subir ou descer o tom conforme a sua voz.

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A cifra One Too Many Mornings serve para violao e guitarra?

Sim. A cifra foi organizada com acordes para estudo, ensaio e execucao em violao ou guitarra. Quando houver tablatura, voce pode exibir ou ocultar esse conteudo na propria pagina.

Que tipo de musica e One Too Many Mornings?

One Too Many Mornings de Association esta classificada no CifraNET como Cifra musical, com foco em letra, acordes e pratica musical.

Cifra interativa

One Too Many Mornings

♥

Association

Sobre:

Dificuldade: media | Estilo: rock | Sentimento: sentimental | Ocasião: violao, repertorio | Tags: folk, folk-rock, melancolico, acustico, medio, intimista

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Tom atual A

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Exibir Tablatura

Tamanho da fonte 75%

Leitura automatica

Velocidade 20%

Toque acompanhando

Video da musica

Tapes_ CD (Warner/Pioneer WPCP-3536):

This song got us our first major record deal.  Thanks to the three "B"s,
  Barry, Billy, and Bud (Valiant Records) who saw something in us when we
  sang this for them at an afternoon audition at the Troubador in West
  L.A.  The arrangement of the song was our first involvement with Clark
  Burroughs (of Hi-Los fame) who later did most of the vocal arranging for
  the "Insight Out" album.

Intro [2X; riff continues into verse]:

(A)
	 v     v   v   v   v     v   v   v   v
	-----|-----------------|-----------------
	-----|-----------------|-----------------
	-X---|-------------X---|-------------X---
	-----|-----------------|-----------2-----
	---0-|-0-----0-0-----0-|-0-----0/4---4-0-
	-----|-----------------|-----------------
	 ^ rimshot

Verse 1:

A
	Down the street the dogs are barkin'
	         G                A
	And the day it's gettin' dark
	        C#m              F#m
	As the night comes in a fallin'
	     D                 E7sus4/B  E
	The dogs will lose their bark

A
	And the silent night will shatter
	           G               A
	From the sounds inside my mind
	        C#m          F#m
	And I'm one too many mornings
	       Bm     E7sus4/B  E     A
	And a thousand miles       behind

Verse 2:

And from the crossroads of my doorstep
	My eyes they start to fade
	As I turn my head back to the room
	Where my love and I have laid

And I gaze back to the street
	The sidewalk and the sign
	And I'm one too many mornings
	And a thousand miles behind

Verse 3:

And it's a restless hungry feeling
	It don't mean no one no good
	When everything that I am saying
	You can say it just as good

Yes, I know you're right from your side
	A Ab G
	       I'm right from mine
	We're both just too many mornings
	And a thousand miles behind

Coda:

C#m          F#m
	We're both just     too many mor...nings
	       Bm7
	And a thou...sand
	Bm7/E                                     [N.C.]
	  / / / /  / / / /  / / / /  / / / /  / /
	Miles
	   A
	   / / / /  / / / /  / / / /  / [end cold]
	Behind

-- another ace 60's tab from Andrew Rogers

Tapes_ CD (Warner/Pioneer WPCP-3536):

(A)
	 v     v   v   v   v     v   v   v   v
	 ^ rimshot

Verse 1:

Verse 2:

And from the crossroads of my doorstep
	My eyes they start to fade
	As I turn my head back to the room
	Where my love and I have laid

And I gaze back to the street
	The sidewalk and the sign
	And I'm one too many mornings
	And a thousand miles behind

Verse 3:

And it's a restless hungry feeling
	It don't mean no one no good
	When everything that I am saying
	You can say it just as good

Yes, I know you're right from your side
	A Ab G
	       I'm right from mine
	We're both just too many mornings
	And a thousand miles behind

Coda:

-- another ace 60's tab from Andrew Rogers

Tapes_ CD (Warner/Pioneer WPCP-3536): This song got us our first major record deal. Thanks to the three "B"s, Barry, Billy, and Bud (Valiant Records) who saw something in us when we sang this for them at an afternoon audition at the Troubador in West L.A. The arrangement of the song was our first involvement with Clark Burroughs (of Hi-Los fame) who later did most of the vocal arranging for the "Insight Out" album. Intro [2X; riff continues into verse]: (A) v v v v v v v v v -----|-----------------|----------------- -----|-----------------|----------------- -X---|-------------X---|-------------X--- -----|-----------------|-----------2----- ---0-|-0-----0-0-----0-|-0-----0/4---4-0- -----|-----------------|----------------- ^ rimshot Verse 1: A Down the street the dogs are barkin' G A And the day it's gettin' dark C#m F#m As the night comes in a fallin' D E7sus4/B E The dogs will lose their bark A And the silent night will shatter G A From the sounds inside my mind C#m F#m And I'm one too many mornings Bm E7sus4/B E A And a thousand miles behind Verse 2: And from the crossroads of my doorstep My eyes they start to fade As I turn my head back to the room Where my love and I have laid And I gaze back to the street The sidewalk and the sign And I'm one too many mornings And a thousand miles behind Verse 3: And it's a restless hungry feeling It don't mean no one no good When everything that I am saying You can say it just as good Yes, I know you're right from your side A Ab G I'm right from mine We're both just too many mornings And a thousand miles behind Coda: C#m F#m We're both just too many mor...nings Bm7 And a thou...sand Bm7/E [N.C.] / / / / / / / / / / / / / / / / / / Miles A / / / / / / / / / / / / / [end cold] Behind -- another ace 60's tab from Andrew Rogers

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