Never Really Been Another Way Out - Manchester…

Never Really Been Another Way Out

Ver acordes usados nesta cifra
Tuning - half step down
 
Ocultar tablatura
 
intro - Am C F Am (C D)
eb|------------------------------------}
bb|------------------------------------|
gb|------------------------------------|
db|-------------------------hard to hear this last bit to know if its right
ab|0(x8)-3(x8)-8(x8)-0(x4)-3(x2)-5(x2)-|
eb|------------------------------------| X2
 
Verse
F
When you both die,
Am
You'll both die alone
C F
And there's a song that you'll hear when you go
F Am
Well, it sounds like the buried are home
C F
And they know you but you'd never have known
 
PreChorus
Am C
In fact, there's never really any other way out
F Em
No, there's never really any other way out
 
Chorus
C E
Now your life is passing by
F
And you feel the same
C E
There's no use, with you
 
Am C F Am (C D)
 
Verse
In the back, you were laying on the bed
Trying to inflate and deflate it
You said, "I swear that I'll never ?
I'm just a man with belief in you."
 
PreChorus
And no, there's never really anybody that counts
Know that you've never really been a body that counts
 
Chorus
Now this life has passed you by
And you feel the same
There's no use, with you
 
F C Dm
When my fate turns to sand,
C C/B Am
Oh, would you share the master plan?
F C
I swear that I will try to find you
Dm
Once I'm up there
 
Chorus
Now this life is passing by
And I feel the same
There's no room to move
 
Cause I can't find a piece of mine
But I can't blame you
There's no room to
 
Am C F Am (C D)

Como tocar Never Really Been Another Way Out

Use os controles acima para mudar o tom e ajustar o tamanho do texto. Acompanhe os acordes destacados enquanto ouve a música e pratique cada trecho devagar antes de tocar no andamento original.

Qual é o acorde inicial?

O primeiro acorde identificado é Am. Você pode subir ou descer o tom sem sair da página.

Posso tocar no violão, guitarra ou teclado?

Sim. A sequência de acordes pode ser usada no violão, guitarra e teclado. Adapte as posições ao seu instrumento e nível.

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