Qual o tom original da musica Millworker?

A cifra de Millworker de Emmylou Harris esta identificada no tom de A. Voce tambem pode usar os controles da pagina para subir ou descer o tom conforme a sua voz.

Como mudar o tom da cifra Millworker?

Use os botoes + e - ou o seletor de tom da pagina para transpor a cifra de forma rapida. A letra e os acordes continuam alinhados para facilitar o estudo.

A cifra Millworker serve para violao e guitarra?

Sim. A cifra foi organizada com acordes para estudo, ensaio e execucao em violao ou guitarra. Quando houver tablatura, voce pode exibir ou ocultar esse conteudo na propria pagina.

Que tipo de musica e Millworker?

Millworker de Emmylou Harris esta classificada no CifraNET como Cifra musical, com foco em letra, acordes e pratica musical.

Cifra interativa

Millworker

♥

Emmylou Harris

Sobre:

Tags: reservado

"Millworker", com credito para Emmylou Harris. Essa gravacao aparece relacionada ao lancamento "Portraits" (ano 1996, pais US, status Official).

Entre as tags publicas associadas a essa gravacao estao alternative country, contemporary country, country, folk. Os generos publicos relacionados a esse registro incluem alternative country, contemporary country, country, folk. Emmylou Harris é uma cantora e compositora estadunidense de música country, folk e alternativa. Sua voz de soprano torna-a uma das mais distintas cantoras da música popular dos Estados Unidos. Robert "Bob" Dylan é um cantor, compositor, escritor, ator, pintor e artista visual norte-americano, e uma importante figura na cultura popular há mais de sessenta anos. Grande parte do seu trabalho mais célebre data da década de 1960, quando canções como "Blowin' in the Wind" (1963) e "The Times They Are a Changin'" (1964) se tornaram hinos dos movimentos pelos direitos civis e de oposição à Guerra do Vietnã. Suas letras durante esse período incorporaram uma ampla gama de influências políticas, sociais, filosóficas e literárias, desafiaram as convenções da música pop e apelaram à crescente contracultura. Por conta disso, a música folk, na cultura norte-americana, atingiu o auge de popularidade nas décadas de 1950 e 1960 e Bob Dylan incorporou as tensões dessa época da melhor forma, com foco nos detalhes e humor.

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Tom atual A

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Tamanho da fonte 75%

Leitura automatica

Velocidade 20%

Toque acompanhando

Video da musica

Simplificar
Afinação: E A D G B ETecla: CCapotraste:
3rd traste
As recorded by Emmylou Harris
(From the 1981 Album EVANGELINE)

Capo 3rd fret

[Verse 1]
        A                       D               E
My grandfather was a sailor, he blew in off the water
   A            E          A           E
My father was a farmer and I, his only daughter
A                                                   E
Took up with a no-good millworking man from Massachusetts
    A                      E       A                     E        A
Who dies from too much whiskey and leaves me these three faces to feed

[Verse 2]
                                        E
Now millwork ain't easy, millwork ain't hard
A                  E                A          E
Millwork, it ain't nothing but an awful boring job
    A
I'm waiting for a daydream to take me through the morning
                 E                  A            E              A
And put me in my coffee break where I can have a sandwich and remember

[Chorus]
         G                         D/F#
And it's me and my machine for the rest of the morning
        Dm/F                   E                  A    E/G# G A
For the rest of the afternoon, for the rest of my life

[Verse 3]
A
Now my mind begins to wander to the days back on the farm
A
I can see my father smiling at me swinging on his arm
A
I can hear my granddad's stories of the storms out on Lake Erie
A
Where vessels and cargos and fortunes and sailor's lives were lost

[Guitar Solo]
C  G/B  Bb  Asus4 A G
D/F# Bm F Dm/F E

[Verse 4]
         A
But it's my life has been wasted and I have been the fool
                E7              A
To let this manufacturer use my body for a tool
                                             E
I can ride home in the evening staring at my hands
A              E             A                   E          A
Swearing by my sorrow that a young girl ought to stand a better chance

[Chorus]
   G                            D/F#         Bm
So may I work the mills just as long as I am able
    F                        E              A
And never meet the man whose name is on the label
         G                         D/F#
And it's me and my machine for the rest of the morning
             Dm/F          E                      A
For the rest of the afternoon, for the rest of my life

[Outro]
G  D/F#  F  E7 A G
D/F#  D  E A

Simplificar
Afinação: E A D G B ETecla: CCapotraste:
3rd traste
As recorded by Emmylou Harris
(From the 1981 Album EVANGELINE)

Capo 3rd fret

[Guitar Solo]
C  G/B  Bb  Asus4 A G
D/F# Bm F Dm/F E

[Outro]
G  D/F#  F  E7 A G
D/F#  D  E A

Simplificar Afinação: E A D G B ETecla: CCapotraste: 3rd traste As recorded by Emmylou Harris (From the 1981 Album EVANGELINE) Capo 3rd fret [Verse 1] A D E My grandfather was a sailor, he blew in off the water A E A E My father was a farmer and I, his only daughter A E Took up with a no-good millworking man from Massachusetts A E A E A Who dies from too much whiskey and leaves me these three faces to feed [Verse 2] E Now millwork ain't easy, millwork ain't hard A E A E Millwork, it ain't nothing but an awful boring job A I'm waiting for a daydream to take me through the morning E A E A And put me in my coffee break where I can have a sandwich and remember [Chorus] G D/F# And it's me and my machine for the rest of the morning Dm/F E A E/G# G A For the rest of the afternoon, for the rest of my life [Verse 3] A Now my mind begins to wander to the days back on the farm A I can see my father smiling at me swinging on his arm A I can hear my granddad's stories of the storms out on Lake Erie A Where vessels and cargos and fortunes and sailor's lives were lost [Guitar Solo] C G/B Bb Asus4 A G D/F# Bm F Dm/F E [Verse 4] A But it's my life has been wasted and I have been the fool E7 A To let this manufacturer use my body for a tool E I can ride home in the evening staring at my hands A E A E A Swearing by my sorrow that a young girl ought to stand a better chance [Chorus] G D/F# Bm So may I work the mills just as long as I am able F E A And never meet the man whose name is on the label G D/F# And it's me and my machine for the rest of the morning Dm/F E A For the rest of the afternoon, for the rest of my life [Outro] G D/F# F E7 A G D/F# D E A

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