Qual o tom original da musica King Of The Jews?

A cifra de King Of The Jews de Low Cut Connie esta identificada no tom de B. Voce tambem pode usar os controles da pagina para subir ou descer o tom conforme a sua voz.

Como mudar o tom da cifra King Of The Jews?

Use os botoes + e - ou o seletor de tom da pagina para transpor a cifra de forma rapida. A letra e os acordes continuam alinhados para facilitar o estudo.

A cifra King Of The Jews serve para violao e guitarra?

Sim. A cifra foi organizada com acordes para estudo, ensaio e execucao em violao ou guitarra. Quando houver tablatura, voce pode exibir ou ocultar esse conteudo na propria pagina.

Que tipo de musica e King Of The Jews?

King Of The Jews de Low Cut Connie esta classificada no CifraNET como Rock, com foco em letra, acordes e pratica musical.

Cifra interativa

King Of The Jews

♥

Low Cut Connie

Sobre:

Dificuldade: media | Estilo: rock | Sentimento: animada, fe, adoracao | Ocasião: bar, festa | Tags: rock, bar, festa, animada, piano, intermediaria, energetica

"KING OF THE JEWS", com credito para Low Cut Connie. Essa gravacao aparece relacionada ao lancamento "Art Dealers" (ano 2023, pais US, status

Official). O Aeroporto Internacional de San José Mineta, oficialmente Aeroporto Internacional Norman Y. Mineta San Jose, é um aeroporto público de propriedade da cidade de San José, na Califórnia. Localizado a 4,8km a noroeste do centro de San José, o aeroporto serve tanto a cidade quanto a região do Vale de Santa Clara, na área da Baía de São Francisco. O nome é uma homenagem a Norman Mineta, natural de San José, ex-Secretário de Transportes dos Estados Unidos e Secretário do Comércio dos Estados Unidos, que também atuou como prefeito de San José e como vereador da cidade. Marchand é uma palavra francesa que, em alguns países não francófonos, designa o profissional que negocia obras de arte.

Tom atual

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Tom atual B

Use + e - para ajuste rapido ou abra o seletor para escolher diretamente o tom que voce quer tocar.

Exibir Tablatura

Tamanho da fonte 75%

Leitura automatica

Velocidade 20%

Toque acompanhando

Video da musica

[Intro]
| Bm          | A           | Bm          | A           |
| A           |

[Verse 1]
D                   G
  Did you lose your mind?
Bm                        A
  Did you forget the best part of the crime?
D                 G
  Did it make you cry
Bm                   A
  like a baby almost half the time,
Bm                   A
  like a baby almost half the time.

[Verse 2]
D                 G
  Could you not decide
Bm                           A
  which direction should you draw the line?
D                 G
  Could you not deny:
Bm                         A
  all the people who ain't on your side,
Bm                         A
  all the people who ain't on your side.

[Bridge 1]
Em                  F#m
  Come and take me,   try to make me,
G                      Bm
  I'm the schmuck with crazy in the eyes, yes.
Em                   F#m
  Starts to bore me,   nothing for me,
G                      A     A
nothing but a waste of time,   heyyyy.

[Chorus]
       D             G
If you can't play it cool,
Bm                       A
  how the hell you gonna make your move?
          D               G
And if ya can't learn the rules,
Bm                    A
  good luck tryin' to change the groove.
           D                      G
You got to   tweak your attitude,
Bm                    A
  motherfuckers gotta pay their dues.
           D                         G
But if you   learn to read the room,
          Bm                      A
you'll be standing there like the King of the Jews,
      Bm                        A
oooh,   standing there like the King of the Jews.

[Verse 3]
        D                   G
Tell me kiddo, where do you go?
Bm                A
  Whattya say and whattya know?
D                    G
  Or have you got no clue?
Bm                            A
  Just a deep feeling for the rhythm & blues,
Bm                            A
  just a deep feeling for the rhythm & blues.

[Bridge 2]
Em           F#m
All my life, all my secrets,
G                    Bm
  all the punks that wouldn't let me keep it.
Em                F#m
  Let me feel it,   let me get inside it,
G                        A    A
let me have the balls to try,   heyyy.

[End-Chorus]
       D             G
If you can't play it cool,
Bm                       A
  how the hell you gonna make your move?
          D               G
And if ya can't learn the rules,
Bm                    A
  good luck tryin' to change the groove.
           D                      G
You got to   tweak your attitude,
Bm                    A
  motherfuckers gotta pay their dues.
           D                         G
But if you   learn to read the room,
          Bm                        A
you'll be   standing there like the King of the Jews,
      Bm                        A
oooh,   standing there like the King of the Jews.

[Outro]
| D           | G           | Bm          | A           |
| D           | G           | Bm          | A           |
| Bm          | A           |

| D           | G           | Bm          | A           |
| D           | G           | Bm          | A           |
| Bm          | A*          ||

[Intro]
| Bm          | A           | Bm          | A           |
| A           |

[Outro]
| D           | G           | Bm          | A           |
| D           | G           | Bm          | A           |
| Bm          | A           |

| D           | G           | Bm          | A           |
| D           | G           | Bm          | A           |
| Bm          | A*          ||

Afinação: E A D G B ETecla: ECapotraste: 2nd traste https://open.spotify.com/track/7asZt0SCGA5QMBiDC2wL4s https://www.youtube.com/watch?v=nl1dYMMIrbo Worked out on request for philostitute1 from Portland Oregon, USA. Do you mind your avatar is here? If you like my "work" don't hesitate to add favorite or to give it the STARS it deserves (with explanation?). Here is the list of all the songs I did upload for UG: https://www.ultimate-guitar.com/contribution/3817887-frans.vanuytv/tabs?sort=-date&page= 1&per-page=50 ATTENTION: You are experienced? Then you don't have to use Capo. USE TRANSPOSE BUTTON +2. ATTENTION: Chords are a bit to difficult? Try also Capo IV (Transpose -2). ATTENTION: All chords for 2 slow beats OR count the * [Intro] | Bm | A | Bm | A | | A | [Verse 1] D G Did you lose your mind? Bm A Did you forget the best part of the crime? D G Did it make you cry Bm A like a baby almost half the time, Bm A like a baby almost half the time. [Verse 2] D G Could you not decide Bm A which direction should you draw the line? D G Could you not deny: Bm A all the people who ain't on your side, Bm A all the people who ain't on your side. [Bridge 1] Em F#m Come and take me, try to make me, G Bm I'm the schmuck with crazy in the eyes, yes. Em F#m Starts to bore me, nothing for me, G A A nothing but a waste of time, heyyyy. [Chorus] D G If you can't play it cool, Bm A how the hell you gonna make your move? D G And if ya can't learn the rules, Bm A good luck tryin' to change the groove. D G You got to tweak your attitude, Bm A motherfuckers gotta pay their dues. D G But if you learn to read the room, Bm A you'll be standing there like the King of the Jews, Bm A oooh, standing there like the King of the Jews. [Verse 3] D G Tell me kiddo, where do you go? Bm A Whattya say and whattya know? D G Or have you got no clue? Bm A Just a deep feeling for the rhythm & blues, Bm A just a deep feeling for the rhythm & blues. [Bridge 2] Em F#m All my life, all my secrets, G Bm all the punks that wouldn't let me keep it. Em F#m Let me feel it, let me get inside it, G A A let me have the balls to try, heyyy. [End-Chorus] D G If you can't play it cool, Bm A how the hell you gonna make your move? D G And if ya can't learn the rules, Bm A good luck tryin' to change the groove. D G You got to tweak your attitude, Bm A motherfuckers gotta pay their dues. D G But if you learn to read the room, Bm A you'll be standing there like the King of the Jews, Bm A oooh, standing there like the King of the Jews. [Outro] | D | G | Bm | A | | D | G | Bm | A | | Bm | A | | D | G | Bm | A | | D | G | Bm | A | | Bm | A* ||

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