Qual o tom original da musica Handbook For The Sellout?

A cifra de Handbook For The Sellout de Five Iron Frenzy esta identificada no tom de A. Voce tambem pode usar os controles da pagina para subir ou descer o tom conforme a sua voz.

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A cifra Handbook For The Sellout serve para violao e guitarra?

Sim. A cifra foi organizada com acordes para estudo, ensaio e execucao em violao ou guitarra. Quando houver tablatura, voce pode exibir ou ocultar esse conteudo na propria pagina.

Que tipo de musica e Handbook For The Sellout?

Handbook For The Sellout de Five Iron Frenzy esta classificada no CifraNET como Cifra musical, com foco em letra, acordes e pratica musical.

Cifra interativa

Handbook For The Sellout

♥

Five Iron Frenzy

Sobre:

Dificuldade: medio | Estilo: ska/ska punk | Sentimento: animada, satírica | Ocasião: show, festa, bar | Tags: five iron frenzy, ska, punk, violao, medio, animada, satirica

"Handbook for the Sellout", com credito para Five Iron Frenzy. Descricao complementar no catalogo: live, 1999-06-17-1999-07-02, "Proof That the

Youth Are Revolting". Essa gravacao aparece relacionada ao lancamento "Proof That the Youth Are Revolting" (ano 1999, pais XW, status Official). Entre as tags publicas associadas a essa gravacao estao christian, ska punk. Os generos publicos relacionados a esse registro incluem ska punk. Five Iron Frenzy foi uma banda ska cristã formada em Denver, Colorado em 1995 e desmembrada em 2003. Proof That the Youth Are Revolting é o primeiro álbum gravado ao vivo pela banda Five Iron Frenzy, lançado em Novembro de 1999.

Tom atual

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Tom atual A

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Tamanho da fonte 75%

Leitura automatica

Velocidade 20%

Toque acompanhando

Video da musica

Capotraste: Sem capotraste
tabbed by: nastryker@juno.com

A C# F# E (X4)

A               C#                F#
You found a way to draw a line, between the world and you.
E                         A
Faking your identity it's true.
                  C#
Did you think the word "alternative,"
    F#                 E
Was only meant for the likes of you?
B                             E
Do you think that they're too cool now?
B                E
Being popular is lame.
C#                           F# E D
You're the one who made them popular,
                              E
All their songs are still the same.
A                    C#                            F#
You found them first, it made you stand apart, you know?
                         E
But then everyone jumped on the same bandwagon,
A
Making you an average Joe.
  C#
A lemming for the mediocre,
F#                               E
You were just a plain old joker, status quo.
B               E        B                          E
Blame it on the band now, if you prick them do they bleed?
C#                          F#        E D
What's the point in playing what they want,
                         E
If you won't let them succeed?

A        D     G             E
Do you remember where we all came from?
A        D                G    E
Do you remember what it's all about?
A        D               G    E
When you made a point to be objective,
A          D                G                E   A C# F# E
Before you started writing, Handbook for the Sellout?

A C# F# E (X3) A
A C# F# E (X4)

B                            E
You sunk your worth in being different,
B                        E
Just to be like your own kind.
C#              F#     E D
You traded in objectiveness,
                        E
For the underground you follow blind.

A        D     G             E
Do you remember where we all came from?
A        D                G    E
Do you remember what it's all about?
A        D               G    E
When you made a point to be objective,
A          D                G                E   A G#/G
Before you started writing, Handbook for the Sellout?

Capotraste: Sem capotraste
tabbed by: nastryker@juno.com

A C# F# E (X4)

A C# F# E (X3) A
A C# F# E (X4)

Capotraste: Sem capotraste tabbed by: nastryker@juno.com A C# F# E (X4) A C# F# You found a way to draw a line, between the world and you. E A Faking your identity it's true. C# Did you think the word "alternative," F# E Was only meant for the likes of you? B E Do you think that they're too cool now? B E Being popular is lame. C# F# E D You're the one who made them popular, E All their songs are still the same. A C# F# You found them first, it made you stand apart, you know? E But then everyone jumped on the same bandwagon, A Making you an average Joe. C# A lemming for the mediocre, F# E You were just a plain old joker, status quo. B E B E Blame it on the band now, if you prick them do they bleed? C# F# E D What's the point in playing what they want, E If you won't let them succeed? A D G E Do you remember where we all came from? A D G E Do you remember what it's all about? A D G E When you made a point to be objective, A D G E A C# F# E Before you started writing, Handbook for the Sellout? A C# F# E (X3) A A C# F# E (X4) B E You sunk your worth in being different, B E Just to be like your own kind. C# F# E D You traded in objectiveness, E For the underground you follow blind. A D G E Do you remember where we all came from? A D G E Do you remember what it's all about? A D G E When you made a point to be objective, A D G E A G#/G Before you started writing, Handbook for the Sellout?

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