Qual o tom original da musica grace?

A cifra de grace de Jeff Buckley esta identificada no tom de A. Voce tambem pode usar os controles da pagina para subir ou descer o tom conforme a sua voz.

Como mudar o tom da cifra grace?

Use os botoes + e - ou o seletor de tom da pagina para transpor a cifra de forma rapida. A letra e os acordes continuam alinhados para facilitar o estudo.

A cifra grace serve para violao e guitarra?

Sim. A cifra foi organizada com acordes para estudo, ensaio e execucao em violao ou guitarra. Quando houver tablatura, voce pode exibir ou ocultar esse conteudo na propria pagina.

Que tipo de musica e grace?

grace de Jeff Buckley esta classificada no CifraNET como Cifra musical, com foco em letra, acordes e pratica musical.

Cifra interativa

grace

♥

Jeff Buckley

Tom atual

Ajuste rapido e escolha direta

Tom atual A

Use + e - para ajuste rapido ou abra o seletor para escolher diretamente o tom que voce quer tocar.

Exibir Tablatura

Tamanho da fonte 75%

Leitura automatica

Velocidade 20%

Toque acompanhando

Video da musica

|------3-------------------3---5p3-----|
   |---------------------------------3----|
   |---3h5-5p35p3h5p3h5p3--3h5-5p3----35p3|
   |3/5-------------------5---------------|
   |--------------------------------------|
   |--------------------------------------|

(octave box................................)
   |0--------------|--------------553--|       |--------------|
   |0--------------|2h3222h3222h3-33252|repeat |2h3222h3223333|
   |0--------------|2--222--222---22222|bar    |2--222--222222|
   |0h2p0h2p0h2p0h2|0--000--000---00022|twice  |0--000--000000|
   |0h2p0h2p0h2p0h2|-----------------00|       |----------0000|
   |0--------------|-------------------|       |----------2222|
    ^
let open strings ring

fig.2
Verse:
E  |------------|------------|------------|------------|
B  |------------|------------|------------|------------|
G  |---0-----0--|---2-----0--|---0-----0--|---2-----0--|
D  |--2-2---2-2-|--3-3---2-2-|--1-1---1-1-|--3-3---2-2-|
A  |-2---2-2---2|-3---3-2---2|-1---1-1---1|-3---3-2---2|
E  |0-----0-----|1-----0-----|X-----X-----|1-----0-----|

|------------|------------|
   |------------|------------|
   |---0-----0--|---0-----0--|
   |--1-1---1-1-|--2-2---2-2-|
   |-1---1-1---1|-2---2-2---2|
   |X-----X-----|0-----0-----|

fig.3
   ( this part is played twice.................................)
                              vv^^vv^^ vv^^vv^^   vv^^vv^^v  v^^vv^^
   |2222/6666/7777/9-9-9-9--|-33333333-33333333-|-000000000--0000000-|
   |3332/7777/8888/10101010-|-33333333-33333333-|-000000000--0000000-|
   |4444/8888/9999/11111111-|-00000000-00000000-|-000000000--0000000-|
   |4444/8888/9999/11111111-|-22222222-00000000-|-222222220h22222222-|
   |2222/6666/7777/9-9-9-9--|-33333333-22222222-|-222222220h22222222-|
   |2222/6666/7777/9-9-9-9--|-XXXXXXXX-33333333-|-000000000--0000000-|
                                            *
The strumming pattern shown above is the pattern used on all heavily
chord based parts.

fig.4
chorus:
(I'm not sure of this part )
                               
(played twice.................)
|--1--1---0---|-----XX-----XX-|0--|
|--1--1---0---|-----44-----44-|0--|
|--2--2---0---|-----00-----00-|0--|
|3-3--3-2-2-00|-2/5-55-2/5-55-|2--|
|333--3-222-00|-3/6666-3/6666-|2--|
|-11--1--00-00|----666----666-|0--|

Then return to fig.1 + play thru to fig.4

break:

|11111111-33333333-|-555555555--5555555-|
|11111111-33333333-|-555555555--5555555-|
|22222222-00000000-|-555555555--5555555-|
|33333333-00000000-|-777777775h77777777-|
|33333333-22222222-|-777777775h77777777-|
|11111111-33333333-|-555555555--5555555-|

|-44444444-3333-22-11-|-000000000--0000000-|
|-44444444-3333-22-11-|-000000000--0000000-|
|-55555555-4444-22-22-|-000000000--0000000-|
|-66666666-5555-44-33-|-222222220h22222222-|
|-66666666-5555-44-33-|-222222220h22222222-|
|-44444444-3333-22-11-|-000000000--0000000-|

then play the first two bars of fig.3
where there is a * there is now a fill:   |-2h3p2-|
                                          |-3-----|
                                          |-0-----|
                                          |-------|
                                          |-------|
                                          |-------|

When he starts to sing again play fig.3 again, fully.
Now return to fig.1 and play thru to fig.4.

Elliott.

Any corrections or "so real" and "dream brother" TAB would be
 gratefully recieved at   chris.pearce@petrosys.no

A  |------------------------------------|
E  |------------------------------------|

(octave box................................)
   |0--------------|2h3222h3222h3-33252|repeat |2h3222h3223333|
   |0--------------|2--222--222---22222|bar    |2--222--222222|
   |0h2p0h2p0h2p0h2|0--000--000---00022|twice  |0--000--000000|
let open strings ring

fig.2
Verse:
fig.3
   ( this part is played twice.................................)
                              vv^^vv^^ vv^^vv^^   vv^^vv^^v  v^^vv^^
The strumming pattern shown above is the pattern used on all heavily
chord based parts.

fig.4
chorus:
(I'm not sure of this part )
                               
(played twice.................)
Then return to fig.1 + play thru to fig.4

break:

|33333333-00000000-|-777777775h77777777-|
|33333333-22222222-|-777777775h77777777-|
then play the first two bars of fig.3
where there is a * there is now a fill:   |-2h3p2-|
                                          |-3-----|
                                          |-0-----|
                                          |-------|
                                          |-------|
                                          |-------|

When he starts to sing again play fig.3 again, fully.
Now return to fig.1 and play thru to fig.4.

Elliott.

Any corrections or "so real" and "dream brother" TAB would be
 gratefully recieved at   chris.pearce@petrosys.no

E |----1-------------------1---3p1-----| B |-------------------------------1----| G |-1h3-3p13p1h3p1h3p1--1h3-3p1----13p1| D |3-------------------3---------------| A |------------------------------------| E |------------------------------------| |------3-------------------3---5p3-----| |---------------------------------3----| |---3h5-5p35p3h5p3h5p3--3h5-5p3----35p3| |3/5-------------------5---------------| |--------------------------------------| |--------------------------------------| (octave box................................) |0--------------|--------------553--| |--------------| |0--------------|2h3222h3222h3-33252|repeat |2h3222h3223333| |0--------------|2--222--222---22222|bar |2--222--222222| |0h2p0h2p0h2p0h2|0--000--000---00022|twice |0--000--000000| |0h2p0h2p0h2p0h2|-----------------00| |----------0000| |0--------------|-------------------| |----------2222| ^ let open strings ring fig.2 Verse: E |------------|------------|------------|------------| B |------------|------------|------------|------------| G |---0-----0--|---2-----0--|---0-----0--|---2-----0--| D |--2-2---2-2-|--3-3---2-2-|--1-1---1-1-|--3-3---2-2-| A |-2---2-2---2|-3---3-2---2|-1---1-1---1|-3---3-2---2| E |0-----0-----|1-----0-----|X-----X-----|1-----0-----| |------------|------------| |------------|------------| |---0-----0--|---0-----0--| |--1-1---1-1-|--2-2---2-2-| |-1---1-1---1|-2---2-2---2| |X-----X-----|0-----0-----| fig.3 ( this part is played twice.................................) vv^^vv^^ vv^^vv^^ vv^^vv^^v v^^vv^^ |2222/6666/7777/9-9-9-9--|-33333333-33333333-|-000000000--0000000-| |3332/7777/8888/10101010-|-33333333-33333333-|-000000000--0000000-| |4444/8888/9999/11111111-|-00000000-00000000-|-000000000--0000000-| |4444/8888/9999/11111111-|-22222222-00000000-|-222222220h22222222-| |2222/6666/7777/9-9-9-9--|-33333333-22222222-|-222222220h22222222-| |2222/6666/7777/9-9-9-9--|-XXXXXXXX-33333333-|-000000000--0000000-| * The strumming pattern shown above is the pattern used on all heavily chord based parts. fig.4 chorus: (I'm not sure of this part ) (played twice.................) |--1--1---0---|-----XX-----XX-|0--| |--1--1---0---|-----44-----44-|0--| |--2--2---0---|-----00-----00-|0--| |3-3--3-2-2-00|-2/5-55-2/5-55-|2--| |333--3-222-00|-3/6666-3/6666-|2--| |-11--1--00-00|----666----666-|0--| Then return to fig.1 + play thru to fig.4 break: |11111111-33333333-|-555555555--5555555-| |11111111-33333333-|-555555555--5555555-| |22222222-00000000-|-555555555--5555555-| |33333333-00000000-|-777777775h77777777-| |33333333-22222222-|-777777775h77777777-| |11111111-33333333-|-555555555--5555555-| |-44444444-3333-22-11-|-000000000--0000000-| |-44444444-3333-22-11-|-000000000--0000000-| |-55555555-4444-22-22-|-000000000--0000000-| |-66666666-5555-44-33-|-222222220h22222222-| |-66666666-5555-44-33-|-222222220h22222222-| |-44444444-3333-22-11-|-000000000--0000000-| then play the first two bars of fig.3 where there is a * there is now a fill: |-2h3p2-| |-3-----| |-0-----| |-------| |-------| |-------| When he starts to sing again play fig.3 again, fully. Now return to fig.1 and play thru to fig.4. Elliott. Any corrections or "so real" and "dream brother" TAB would be gratefully recieved at chris.pearce@petrosys.no

Cifras em alta

Estamos procurando as cifras mais relevantes para voce...

grace

As músicas que o Mundo está tocando agora