Far Post
Ver acordes usados nesta cifra
Intro
Gm Eb F
Gm Eb F
[Verso 1]
Gm
No talk of love between us, some things better left unsaid
F Bb
Talk of the plans move through my head, through my head.
Gm F
No talk of tears and pain, it's been so long, I really don't know your name.
Bb
It's the rules of the game.
[Refrão]
F Bb
Wheels keep a turning round and round
F Bb
Years keep spinning round and round
[Verso 2]
Gm F
No words assured without a trace, like the shadows in the sun
Bb
No room for fools who rush it's all been done
Gm
You've got new friend in new pools and you know they're putting troubles to the vote
F
Tired eyes slow dance in the sunlight
Bb
It's all a joke
[Refrão]
F Bb
Wheels keep spinning round and round
F Bb
Years keep spinning round and round
{Piano Solo}
Gm F Bb
Gm F Bb
F Bb
F Bb
[Ponte]
F Dm F Dm F
With the passing of your time, though you seldom come to mind
Dm Eb
I remember the day.
F Dm F Dm F
Sure as winter follows fall sure as maybe I will call,
Dm Eb
Just remember the day
[Verso 3]
Gm
Far off the hazy day, long gone the lingering gray
F Bb
Chill winds blow cold around the fires of love
Gm
Farewell the call to arms, release the captive heart
F Bb
Time's keeper clouds the skyline on the last resort
[Refrão]
F Bb
Wheels keep spinning round and round
F Bb
Years keep spinning round and round
{Post Chorus 1}
F Dm F Dm F Dm Eb
Ooooooooooooooooooooooooooh yeah
F Dm F Dm F Dm Eb
[Ponte]
F Dm F Dm F
With the passing of your time, though you seldom come to mind
Dm Eb
I remember
F Dm F Dm F
Sure as winter follows fall sure as maybe I will call,
Dm ({Eb})
Just remember
Como tocar Far Post
Use os controles acima para mudar o tom e ajustar o tamanho do texto. Acompanhe os acordes destacados enquanto ouve a música e pratique cada trecho devagar antes de tocar no andamento original.
Qual é o acorde inicial?
O primeiro acorde identificado é Gm. Você pode subir ou descer o tom sem sair da página.
Posso tocar no violão, guitarra ou teclado?
Sim. A sequência de acordes pode ser usada no violão, guitarra e teclado. Adapte as posições ao seu instrumento e nível.