Qual o tom original da musica Easy Way Out?

A cifra de Easy Way Out de Elliott Smith esta identificada no tom de Eb. Voce tambem pode usar os controles da pagina para subir ou descer o tom conforme a sua voz.

Como mudar o tom da cifra Easy Way Out?

Use os botoes + e - ou o seletor de tom da pagina para transpor a cifra de forma rapida. A letra e os acordes continuam alinhados para facilitar o estudo.

A cifra Easy Way Out serve para violao e guitarra?

Sim. A cifra foi organizada com acordes para estudo, ensaio e execucao em violao ou guitarra. Quando houver tablatura, voce pode exibir ou ocultar esse conteudo na propria pagina.

Que tipo de musica e Easy Way Out?

Easy Way Out de Elliott Smith esta classificada no CifraNET como Cifra musical, com foco em letra, acordes e pratica musical.

Cifra interativa

Easy Way Out

♥

Elliott Smith

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Sobre:

"Easy Way Out", com credito para Elliott Smith. Descricao complementar no catalogo: live, 2000-05-08: Atlanta, GA, USA. Essa gravacao aparece

relacionada ao lancamento "2000-05-08: Variety Playhouse, Atlanta, GA, USA" (status Bootleg). Steven Paul Smith, mais conhecido como Elliott Smith, foi um cantor e músico norte-americano, nascido em Omaha, Nebraska, mas viveu grande parte da sua vida em Portland, Oregon, onde ganhou popularidade. Seu principal instrumento era o violão, mas também tocava piano, clarinete, baixo, gaita e bateria. Barbara Joan "Barbra" Streisand é uma cantora, atriz e cineasta estadunidense de origem judaica. Com uma carreira de mais de seis décadas, alcançou sucesso em vários campos do entretenimento e está entre os poucos artistas premiados com Emmy, Grammy, Óscar e Tony (EGOT). Começou sua carreira se apresentando em casas noturnas e teatros da Broadway, no início dos anos de 1960. Após suas participações em vários programas de televisão, assinou contrato com a Columbia Records, que conseguiu contratá-la após ceder total controle sobre suas produções, sendo esse tipo de exigência notória ao longo de sua carreira. O primeiro disco, The Barbra Streisand Album, foi lançado em 1963, e premiou-a com dois prêmios Grammy. Ao longo de sua carreira musical, atingiu a posição de #1 na parada da Billboard 200, dos Estados Unidos, com 11 álbuns - um recorde para uma mulher - incluindo os álbuns People (1964), The Way We Were (1974), Guilty (1980) e The Broadway Album (1985). Também possui cinco singles em primeiro lugar na Billboard Hot 100, dos Estados Unidos - "The Way We Were", "Evergreen", "You Don't Bring Me Flowers", "No More Tears " e "Woman in Love".

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Tom atual Eb

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Tamanho da fonte 75%

Leitura automatica

Velocidade 20%

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Video da musica

Hey guys, if the first version is to complicated for you, scroll down to the end
and there you can find an alternate version! ;)

tuning:

Eb Ab C# F# Bb C#

(half-step down, high e string tuned down one step lower than the rest)

Chords used:

D     xx0234  Bm   x24432
D/Ab  4x0234  Bm7* x24234
D/A   x0x034  Bm7  x24232
D/B   x2x034  F#7  242322
E     022104  G*   x5x435
E*    022102  D/C# x40234
E**   022100  D*   xx0230
G     32000x  D**  xx0232
F#    244322  D6   xx7779
G**   355433

riff 1:

e|--5--4--2--|
B|-----------|
G|-----------|
D|-----------|
A|--2--------|
E|-----------|

riff 2:

e|---------------|
B|---------------|
G|---------------|
D|--2/4--4--2p0--|
A|---------------|
E|---------------|

D     D/Ab /A D/B     D       E            E* E** G
youll take ad-vantage til you think youre being used
D      D/Ab /A D/B        E     E*   E** G
cos without an enemy your anger gets confused
Bm                 Bm7* Bm7     F#7          G*
i got stuck on the si----de you know i never chose

D   D/C#  riff1      D* D** D   E*  E**     G    D    D/A  D
but its all about taking the ea--sy way out for you i suppose

D      D/Ab /A D/B      D     E       E*  E** G
theres no   es-cape for you except in someone else
D D/Ab   /A    D/B     D    E          E* E** G
although youve already disappeared within yourself
Bm           Bm7* Bm7      F#7             G*
the invisible ma---n whos always changing clothes

D   D/C#  riff1      D* D** D   E*  E**     G    D
its all about taking the ea--sy way out for you i suppose

Bm                F#     E**
while i watch you making mistakes
           Bm      F#     Bm
i wish you luck, i really do
Bm7*     D6    Bm  Bm7*    D6    Bm
with the problem, with the puzzle
Bm7* D6             E  G**
what-ever is left of you

D  D/Ab /A D/B  D  E  riff2  G

D D/Ab  /A  D/B    D      E   E*   E** G
i heard you found another audience to bore
D  D/Ab /A D/B     D       E    E*  E**  G
a creative thinker who imagined you were more
Bm            Bm7* Bm7   F#7             G*
a new body for yo---u to push around and pose

(for this fill only change the bass note)
    D   D/C#  riff1      D* D** D   E*  E**     G    D    /A  /G /F# /E
its all about taking the ea--sy way out for you i suppose
    D   D/C#  riff1      D* D** D   E*  E**     G    D
its all about taking the ea--sy way out for you i suppose

Alternate Version:

by ignoring the variations elliott plays on the high e-string you can play it like
that
in this case you wouldn't have to tune your high e-string to an c# just to an Eb!!
and so you could use the classic chords
it sounds good as well and its less complicated

D     D/Ab /A D/B     D       E                  G
youll take ad-vantage til you think youre being used
D      D/Ab /A D/B        E              G
cos without an enemy your anger gets confused
Bm     Bm7                   F#7          G
i got stuck on the side you know i never chose

D   D/C#     Bm      D        E          G    D
its all about taking the easy way out for you i suppose

etc.......

************************************

| p  Pull-off
| /  Slide up

************************************

Hey guys, if the first version is to complicated for you, scroll down to the end
and there you can find an alternate version! ;)

tuning:

Eb Ab C# F# Bb C#

(half-step down, high e string tuned down one step lower than the rest)

Chords used:

D   D/C#  riff1      D* D** D   E*  E**     G    D    D/A  D
but its all about taking the ea--sy way out for you i suppose

D   D/C#  riff1      D* D** D   E*  E**     G    D
its all about taking the ea--sy way out for you i suppose

D  D/Ab /A D/B  D  E  riff2  G

Alternate Version:

D   D/C#     Bm      D        E          G    D
its all about taking the easy way out for you i suppose

etc.......

************************************

| p  Pull-off
| /  Slide up

************************************

Hey guys, if the first version is to complicated for you, scroll down to the end and there you can find an alternate version! ;) tuning: Eb Ab C# F# Bb C# (half-step down, high e string tuned down one step lower than the rest) Chords used: D xx0234 Bm x24432 D/Ab 4x0234 Bm7* x24234 D/A x0x034 Bm7 x24232 D/B x2x034 F#7 242322 E 022104 G* x5x435 E* 022102 D/C# x40234 E** 022100 D* xx0230 G 32000x D** xx0232 F# 244322 D6 xx7779 G** 355433 riff 1: e|--5--4--2--| B|-----------| G|-----------| D|-----------| A|--2--------| E|-----------| riff 2: e|---------------| B|---------------| G|---------------| D|--2/4--4--2p0--| A|---------------| E|---------------| D D/Ab /A D/B D E E* E** G youll take ad-vantage til you think youre being used D D/Ab /A D/B E E* E** G cos without an enemy your anger gets confused Bm Bm7* Bm7 F#7 G* i got stuck on the si----de you know i never chose D D/C# riff1 D* D** D E* E** G D D/A D but its all about taking the ea--sy way out for you i suppose D D/Ab /A D/B D E E* E** G theres no es-cape for you except in someone else D D/Ab /A D/B D E E* E** G although youve already disappeared within yourself Bm Bm7* Bm7 F#7 G* the invisible ma---n whos always changing clothes D D/C# riff1 D* D** D E* E** G D its all about taking the ea--sy way out for you i suppose Bm F# E** while i watch you making mistakes Bm F# Bm i wish you luck, i really do Bm7* D6 Bm Bm7* D6 Bm with the problem, with the puzzle Bm7* D6 E G** what-ever is left of you D D/Ab /A D/B D E riff2 G D D/Ab /A D/B D E E* E** G i heard you found another audience to bore D D/Ab /A D/B D E E* E** G a creative thinker who imagined you were more Bm Bm7* Bm7 F#7 G* a new body for yo---u to push around and pose (for this fill only change the bass note) D D/C# riff1 D* D** D E* E** G D /A /G /F# /E its all about taking the ea--sy way out for you i suppose D D/C# riff1 D* D** D E* E** G D its all about taking the ea--sy way out for you i suppose Alternate Version: by ignoring the variations elliott plays on the high e-string you can play it like that in this case you wouldn't have to tune your high e-string to an c# just to an Eb!! and so you could use the classic chords it sounds good as well and its less complicated D D/Ab /A D/B D E G youll take ad-vantage til you think youre being used D D/Ab /A D/B E G cos without an enemy your anger gets confused Bm Bm7 F#7 G i got stuck on the side you know i never chose D D/C# Bm D E G D its all about taking the easy way out for you i suppose etc....... ************************************ | p Pull-off | / Slide up ************************************

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