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Panic! At the Disco

Build God Then Well Talk

Panic! At the Disco

Sobre:

Dificuldade: medio | Estilo: emo/alternative | Sentimento: teatral, energetica, irônica | Ocasião: show, festa, bar | Tags: emo, pop-punk, alternative, panic at the disco, show, violao, medio, energetica

Panic! at the Disco foi uma banda americana de pop rock / pop punk de Las Vegas, Nevada. A banda foi formada em 2004 pelos amigos de infância

Ryan Ross, Spencer Smith, Brendon Urie e Brent Wilson. No entanto, ao longo dos anos de 2006, 2009 e 2015, a banda enfrentou divergências criativas e pessoais entre seus membros. Como resultado dessas divergências, quase todos os membros originais da banda se afastaram. Apenas o vocalista Brendon Urie seguiu como o único integrante original da banda, até o seu encerramento oficial, em 2023. A Fever You Can't Sweat Out é o álbum de estreia da banda estadunidense Panic! at the Disco, produzido por Matt Squire e lançado em 27 de Setembro de 2005 pelas gravadoras Fueled by Ramen e Decaydance. A banda foi formada em Las Vegas em 2004 e começou postando demos na internet, as quais chamaram a atenção de Pete Wentz, baixista do Fall Out Boy. Wentz contratou o grupo para sua gravadora, Decaydance.

Standard tuning CAPO 2 [Verse] Am F C G It's these substandard motels on the (lalalalala) Am F C E corner of 4th and Fremont Street. Am F C G Appealing only because they are just that unappealing, E Am Any practiced catholic would cross themselves upon entering. Am F C G The rooms have a hint of asbestos and maybe Am F C E just a dash of formaldehyde, Am F C G And the habit of decomposing right before your Am F C E very (lalalala) eyes. [CHORUS] E Am Along with the people inside F C G Am F E What a wonderful caricature of intimacy Am F C G Am F C E Inside, what a wonderful caricature of intimacy E Dm Tonight tenants range from: a lawyer and a virgin Am C Accessorizing with a rosary tucked inside her lingerie Am F She's getting a job at the firm come Monday. C G The Mrs. will stay with the cheating attorney Am F moonlighting aside, she really needs his money. C E Oh, wonderful caricature of intimacy. E Yeah (Yeah) [Verse] Am F C G Am And not to mention, the constable, and his proposition, for that virgin F C Yes, the one the lawyer met with on strictly business E Am as he said to the Mrs. Well, only hours before, F C G Am after he had left, she was fixing her face in a compact Dm E There was a terrible crash (there was a terrible crash) Am F Between her and the badge C G E She spilled her purse and her bag, and held a purse of a different kind. [CHORUS] E Am Along with the people inside F C G What a wonderful caricature of intimacy Am F C E Inside, what a wonderful caricature of intimacy [BRIDGE] E Am F C There are no raindrops on roses and girls in white dresses. G Am It's sleeping with roaches and taking best guesses Am F At the shade of the sheets and before all the stains, C E And a few more of your least favorite things. Am F C Raindrops on roses and girls in white dresses G Am It's sleeping with roaches and taking best guesses Am F At the shade of the sheets and before all the stains, C E And a few more of your least favorite things. (slow down tempo) Am F C G Inside, what a wonderful caricature of intimacy Am F C E Inside, what a wonderful caricature of intimacy [BRIDGE INSTRUMENTAL] Am F C G Am F C E [BRIDGE] Am F C Raindrops on roses and girls in white dresses G Am It's sleeping with roaches and taking best guesses Am F At the shade of the sheets and before all the stains, C E And a few more of your least favorite things. Am F C Raindrops on roses and the girls in white dresses G Am And sleeping with the roaches and they taking best guesses Am F At the shade of the sheets and before all the stains C G E (let ring) And a few more of your least favorite things.
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