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As Long As I Still Get You

Vulfmon & Evangeline

Sobre:

Dificuldade: medio | Estilo: soul, pop, jazz-pop | Sentimento: suave, romantica | Ocasião: bar, casamento, romantico | Tags: soul, pop, jazz, violao, romantica, suave, medio

As Long As I Still Get You, de Vulfmon & Evangeline, chama atenção pelo título e pela atmosfera que sugere. Mesmo sem uma história amplamente

conhecida, a canção permite uma leitura curiosa: parece falar de sentimentos, escolhas ou cenas do cotidiano que ganham outro peso quando viram música.

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[Verso 1] C6 If it's this life, or in the next Emadd4/B If it's one day, or all the rest C13/Bb Fmaj7/A If it comes and goes like moons or memories Fm6/Ab You're a light that I can't unsee C/G My favorite hue D9/F# Fmaj7 C I'll take what I get, as long as I still get you [Verso 2] C6 If it's Sunday, or nine-to-five Emadd4/B Or a wave as you're passing by C13/Bb Fmaj7/A If it breaks like dawn, or it fades like sunset Fm6/Ab You're a song that I can't forget C/G A rhyme that's true D9/F# Fmaj7 C/E /Eb /D /Db So I'll take what I get, as long as I still get you [Refrão] Cadd2 C7/Bb If tomorrow never comes, and now our time is through Am11 Fm6/Ab /Ab /G /Gb /F /E /Eb /D /Db This moment was enough, as long as it was with you Cadd2 C7/Bb If tomorrow never comes, and now our time is through Am11 Fm6/Ab /Ab /G /Gb /F /E /Eb /D /Db This moment was enough, as long as it was with you Instrumental Verses C6 Emadd4/B C13/Bb Fmaj7/A Fm6/Ab C/G D9/F# Fmaj7 C/E C6 Emadd4/B C13/Bb Fmaj7/A Fm6/Ab C/G D9/F# Fmaj7 C/E /Eb /D /Db [Refrão] Cadd2 C7/Bb If tomorrow never comes, and now our time is through Am11 Fm6/Ab /Ab /G /Gb /F /E /Eb /D /Db This moment was enough, as long as it was with you Cadd2 C7/Bb If tomorrow never comes, and now our time is through Am11 Fm6/Ab /Ab /G /Gb /F /E /Eb /D /Db This moment was enough, as long as it was with you Solo D6/9 A/D Gadd2/D /G /A /Bb /B D6/9 A/D Gadd2/D /G /A /Bb /B [Verso 3] C Won't be greedy, I won't be proud Can't un-know what you've shown me now Bb A Can't go back to what I thought love was before Ab G You're a key that unlocked a door, to someplace new F# F E A G E D So I'll take what I get, as long as I still get you Outro C6 Emadd4/B C13/Bb Fmaj7/A Fm6/Ab C/G D9/F# Fmaj7 C/E ---------------------------------------------------------------- Bassline only, no chords (First Instrumental verse is also really only melody + bassline) A slash chord without an upper part should be interpreted as only changing the bass from the previous chord, so that e.g. C/E /Eb means C/E C/Eb
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