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A cifra de A Tale Told By An Idiot de John Congleton and The Nighty Nite esta identificada no tom de D. Voce tambem pode usar os controles da pagina para subir ou descer o tom conforme a sua voz.

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A cifra A Tale Told By An Idiot serve para violao e guitarra?

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Que tipo de musica e A Tale Told By An Idiot?

A Tale Told By An Idiot de John Congleton and The Nighty Nite esta classificada no CifraNET como Cifra musical, com foco em letra, acordes e pratica musical.

Cifra interativa

A Tale Told By An Idiot

♥

John Congleton and The Nighty Nite

Sobre:

Dificuldade: medio | Estilo: indie rock | Sentimento: melancólica, dramática | Ocasião: show, bar, set intimista | Tags: indie, alternativo, rock, violao, medio, melancolica

"A Tale Told by an Idiot", com credito para John Congleton, The Nighty Nite. Essa gravacao aparece relacionada ao lancamento "Until the Horror

Goes" (ano 2016, pais XW, status Official). John Anthony Congleton is an American record producer, engineer, mixer, writer and musician. A24, uma distribuidora de filmes com sede em Nova Iorque, foi lançada por Daniel Katz, David Fenkel e John Hodges em agosto de 2012. Seu primeiro filme, A Glimpse Inside the Mind of Charles Swan III, foi lançado em 8 de fevereiro de 2013. Nesse mesmo ano, a empresa firmou acordos de distribuição plurianuais com Amazon Prime e DirecTV Cinema. A empresa ganhou reconhecimento com o lançamento norte-americano de Spring Breakers (2013), que estreou no 69º Festival Internacional de Cinema de Veneza em 2012. No Oscar 2016, os filmes lançados no ano anterior pela A24 receberam sete indicações: Amy ganhou de Melhor Documentário, Ex Machina ganhou de Melhores Efeitos Visuais e Brie Larson foi premiada como Melhor Atriz por sua atuação em Room. A24 também se tornou um estúdio de produção em 2016, financiando integralmente seu primeiro longa-metragem, Moonlight, em parceria com a Plan B Entertainment. O filme foi lançado com aclamação universal e ganhou três Oscars de oito indicações, incluindo Melhor Filme.

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Video da musica

[Chorus]
Bm                                       D
Who do you think you are to question the tower?
   A                                                    D
To jump in the choir and sing like it's something you'd offer?
    Bm                                           D
And who do you think you woo when you ponder the yonder?
   A                                                       D
Or shake your fist high at the sky, tell me, why should we bother?
G                                         D
Who do you think you are, all piggish and stipend?
    A                                                     D
The storm is the bastard, your face is the face that it's slapping

[Verse 2]
              D
And there's a woman that I know with some syndrome
    D
She frantically decorates her sweet home
    Bm                      D          A              D
She boards up the cracks to ward off attacks from the wind and... and... and... and...
and...
        D
And she kisses me there on the hearthstone
    D                             G
But deep down, we both know we're alone
     Bm                  G               A
We're human hurricanes, spinning weather vanes
           D
We've made horror, you've made a horrible mess, and

[Chorus]
G                                        D
Who do you think you are to question the tower?
    A                                                   D
To jump in the choir and sing like it's something you'd offer?
    Bm                                          D
And who do you think you woo when you slumber a slaughter?
   A                                                       F#m          F#
Or shake your fist high at the sky, tell me, why should we bother, why bother?

[Bridge]
    G
The storm slaps your wrist, you'll drip dollars and cents
     D
Over backbeat accents and piano suspense
          A                                            D
While the ocean's intent and the patrons lament on the horror
        G
And the flare light is blinding but yet it's inviting
    N.C.
The writers keep writing, the typewriter's typing
    A
The poets are pining, the actors are lying
     F#m                    F#
It's horror, you've made a horrible mess, and

[Chorus]
G                                       D
Who do you think you are to stare at the mountain?
   A                                                     D
To join in the fire and stew like it's some warmth you'd offer?
    G                                             D
And what do you think you prove when you murder a monster?
    A                                                          D
And scream out the words "tell me why," why the fuck should we bother?
G                                             D
What do you think you prove, all piggish and stipend
   A                                                D
To stare at your navel and constantly pick out your coffin?

[Verse 1] D I'm not living like I should, leave no witness D I keep showing up in life, leave no witness Bm D A D A never ending song, I'm heading for the most predictable cadence D You're a librarian burning books, love D A lion, a witch, and a wardrobe Bm D A A human hurricane, derailing train D You've made horror, you've made a horrible mess, and [Chorus] Bm D Who do you think you are to question the tower? A D To jump in the choir and sing like it's something you'd offer? Bm D And who do you think you woo when you ponder the yonder? A D Or shake your fist high at the sky, tell me, why should we bother? G D Who do you think you are, all piggish and stipend? A D The storm is the bastard, your face is the face that it's slapping [Verse 2] D And there's a woman that I know with some syndrome D She frantically decorates her sweet home Bm D A D She boards up the cracks to ward off attacks from the wind and... and... and... and... and... D And she kisses me there on the hearthstone D G But deep down, we both know we're alone Bm G A We're human hurricanes, spinning weather vanes D We've made horror, you've made a horrible mess, and [Chorus] G D Who do you think you are to question the tower? A D To jump in the choir and sing like it's something you'd offer? Bm D And who do you think you woo when you slumber a slaughter? A F#m F# Or shake your fist high at the sky, tell me, why should we bother, why bother? [Bridge] G The storm slaps your wrist, you'll drip dollars and cents D Over backbeat accents and piano suspense A D While the ocean's intent and the patrons lament on the horror G And the flare light is blinding but yet it's inviting N.C. The writers keep writing, the typewriter's typing A The poets are pining, the actors are lying F#m F# It's horror, you've made a horrible mess, and [Chorus] G D Who do you think you are to stare at the mountain? A D To join in the fire and stew like it's some warmth you'd offer? G D And what do you think you prove when you murder a monster? A D And scream out the words "tell me why," why the fuck should we bother? G D What do you think you prove, all piggish and stipend A D To stare at your navel and constantly pick out your coffin?

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