Aprenda a tocar 240 de Modern Baseball com cifra completa, acordes destacados e visual otimizado para celular.

C#maj7
 
It's kind of a funny story
I met a girl
 
C#maj7
And we started talking
 
C#
And if you know me, you know
 
C#maj7
That I immediately, without question
Fell in love with her
 
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Even though I told them I'd never do that again
 
C#
And it was this kind of talking, the deep passionate kind
 
C#maj7
The ones you see in those corny romantic movies
 
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The ones I watch when I'm alone at night
 
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And everything was going so swell, or at least that's what I thought
 
C#maj7
And then he walked in
 
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And she melted and I got her all over my shoes
 
C#
A few days later, I see the text message clearly stating:
 
C#maj7 F# Fm F# G#
"I want nothing to do with you, your being, or anyone around you."
 
C#
Cause this is about a girl I like
 
F#
(You mean "love")
 
G#
No, I mean "like"
(No you mean "love")
 
Fm F#
Oh maybe you're, oh maybe you're right
 
C#
Cause this is about a girl I like
 
F#
(You mean "love")
 
G#
No, I mean "like"
(No you mean "love")
 
Fm F#
Oh maybe you're, oh maybe you're right
 
Fm F#
Oh maybe you're, oh maybe you're right
 
C#
You don't want to
 
F#
You're bored by who
 
G#
You think I am
 
Fm
Just save your breath
 
F#
Oh, I get it
 
C#
My muscles are tearing
 
F#
From staring at you too long
 
G#
The lips that you're pulling
The lie I believed in
 
Fm
Oh, it's got me thinking that I don't feel it
 
F#
Oh, it's got me thinking that I don't get it
 
Fm
The scars on my neck spell your name
It's pathetic
 
F#
Oh, they got me thinking that I don't get it
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Como tocar 240

Use os controles acima para mudar o tom e ajustar o tamanho do texto. Acompanhe os acordes destacados enquanto ouve a música e pratique cada trecho devagar antes de tocar no andamento original.

Qual é o acorde inicial?

O primeiro acorde identificado é C#maj7. Você pode subir ou descer o tom sem sair da página.

Posso tocar no violão, guitarra ou teclado?

Sim. A sequência de acordes pode ser usada no violão, guitarra e teclado. Adapte as posições ao seu instrumento e nível.

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