The Outlaw Torn

|-x-------------------------------| |-x-------------------------------| |-x-------------------------------| |-x-3---3-3---3-3---3-3---3---3---| |-x-2---2-2---2-2---2-2---2---2---| |-x-0---0-0---0-0---0-0---0---0---| Rake those 'mutes' over the 3rd fret and wah to create that noise on the record. Main Massive Rock Riff! |-------------------------------------------------------------------- |-------------------------------------------------------------------- |-------------------------------------------------------------------- |-------------------------------------------------------------------- |5h7-------7-------5---7-------5---7-------5---7-------7---9-b-10---- |0-----0---0---0---0---0---0---0---0---0---0---0---0---0------------- --------------------------------------------------------------| --------------------------------------------------------------| --------------------------------------------------------------| -----------0--------0----------------------0------------------| b-9---------------------9-b-10-b-9-------------9-b-10--9------| ------10-------10--------------------0---------------------10-| Chords that come in occasionally . . . |------------| |------------| |------------| |7---9------X| |5---7------X| |0---0------X| This is used before every verse, you need some delay to get the echo that's on the recording. Those mutes are just general string noise... |------------|---------------|-------------| |------------|---------------|-------------| |------------|---------------|-------------| |7---9-------|---------------|-------------| |5---7-------|-7---9---------|-5---7-------| |0---0-------|-5---7-------0-|-3---5-------| This is played when Jaymz sings "You make me smash..." etc |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |5---7-------------------5---7-------------------5---7---5---7-| |0---0---0---0---0---0---0---0---0---0---0---0---0---0---0---0-| When the chorus is played the second time this riff is used for the last two repetitions . . . |------------------------------------------------------------------------| |------------------------------------------------------------------------| |------------------------------------------------------------------------| |7---9-------7-----------------------------------------------------------| |5---7-------5---7-------5-7---7-------5-7-7-7-7-------7-5-5-------5-4-4-| |0---0-----------5---0---3/5---5---0---3/5-5-5-5---0---5\3-3---0---3\2-2-| This the "Hear Me. If I close my mind..." bit. Listen _very_ carefully to get the timing. This guitar part is played quite 'loosely'. === Righty then. These next bits are the parts leading up to Kirk's mad solo bit, to play them you'll some echo or get another guitar to play the echoed parts... |-------------------------------------| |-------------------------------------| |-------------------------------------| |-------5---7b8b7---5---7b8b7---5-----| |-7---------------------------------7-| |-------------------------------------| |------------------------------------------| |------8---10b11b10---10-----10b11b10b12---| |9-----------------------------------------| |------------------------------------------| |------------------------------------------| |------------------------------------------| |----------------------------------------| |----------------------------------------| |----------------------------------------| |------5---7~~~----9-----------5---------| |7~~-------------------5~~---------7~~---| |----------------------------------------| |-------------------------------------------------------------------- |-------------------------------------------------------------------- |-------------------------------------------------------------------- |----------------7---9~--------------9---7~------------------9---7~-- |------5---5~--------------5---5~--------------3-b-5-b-3------------- |7~~----------------------------------------------------------------- -----------------| -----------------| -------------7---| ----9---10-------| -----------------| -----------------| Now then, all someone has to do is work out the solo <g> . . . This last bit is the fade-out jam bit. It's not all here cos', well it's _meant_ to be improvised. If I was doing this live I'd make something up in D Pentatonic to fit . . . These are the main themes: |------------------------------------| |------------------------------------| |------------------------------------| |------5---7b8b7---5---7b8b7b9-------| |7-----------------------------------| |------------------------------------| Main 'riff' bit . . . |----------------------------------------------------------------------| |----------------------------------------------------------------------| |----------------------------------------------------------------------| |--------------------------------------------------------5-7-----------| |----3/5---7-------3/5---7-------3/5---7-------3/5---7---------7---5---| |0-------------0-------------0-------------0---------------------------| |----------------------------------------------------------------------| |----------------------------------------------------------------------| |----------------------------------------------------------------------| |--------------------------------------------------------7-9---7---7---| |----3/5---7-------3/5---7-------3/5---7-------3/5---7-----------------| |0-------------0-------------0-------------0---------------------------|